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<title>Digital Cinema - Business Exchange</title>
<subtitle>Most Active Articles</subtitle>
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<link href="http://bx.businessweek.com/digital-cinema"/>
<updated>2013-05-21T22:54:45.480-04:00</updated>
<author>
<name>Business Exchange</name>
<email>Business_Exchange@businessweek.com</email>
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<id>urn:com:businessweek:bx:topic:most-active:digital-cinema</id>
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<entry>
<title>ROBOJIT AND THE SAND PLANET</title>
<link href="http://bx.businessweek.com/digital-cinema/robojit-and-the-sand-planet/5760746506867393813-635dd839f1c8ee2782a5916e6cbf8d57/"/>
<id>urn:com:businessweek:bx:article:5760746506867393813-635dd839f1c8ee2782a5916e6cbf8d57</id>
<updated>2013-04-30T11:40:12.268-04:00</updated>
<summary>“Robojit and the Sand Planet” - the Hollywood movie project is gaining momentum. Come, be a part of it and check out the new additions on the project site.</summary>
<content type="html">“Robojit and the Sand Planet” - the Hollywood movie project is gaining momentum. Come, be a part of it and check out the new additions on the project site.</content>
<source>
<title>robojitandthesandplanet.com</title>
</source>
<bx:external-link>http://www.robojitandthesandplanet.com/</bx:external-link>
<bx:adder>
<bx:fullname>Rakesh Raman</bx:fullname>
<bx:id>rraman103</bx:id>
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<entry>
<title>Innovative and Interactive Learning</title>
<link href="http://bx.businessweek.com/digital-cinema/innovative-and-interactive-learning/10073471531654460486-319a1edcc0cce4682b80e3de7b10d2ac/"/>
<id>urn:com:businessweek:bx:article:10073471531654460486-319a1edcc0cce4682b80e3de7b10d2ac</id>
<updated>2012-10-07T23:02:49.385-04:00</updated>
<summary>The Swedish company, Algoryx, has taken physics to a new level with its educational paradigm, Algodoo. The company strives to lead the way in the future of physics education and physics based simulation. The flexible methodology behind Algodoo represents the future in education: the need for engaging materials that can be used in diverse settings.</summary>
<content type="html">The Swedish company, Algoryx, has taken physics to a new level with its educational paradigm, Algodoo. The company strives to lead the way in the future of physics education and physics based simulation. The flexible methodology behind Algodoo represents the future in education: the need for engaging materials that can be used in diverse settings.</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2012/10/07/innovative-and-interactive-learning/</bx:external-link>
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<entry>
<title>Cleopatra Comes Back on the Big Screen</title>
<link href="http://bx.businessweek.com/digital-cinema/cleopatra-comes-back-on-the-big-screen/1479866854945223401-28b4d227597f8d8abcbcedddede6306b/"/>
<id>urn:com:businessweek:bx:article:1479866854945223401-28b4d227597f8d8abcbcedddede6306b</id>
<updated>2013-05-12T00:45:21.235-04:00</updated>
<summary>Twentieth Century Fox has restored the 243-minute original theatrical version of Cleopatra to commemorate the film’s 50th anniversary. Directed by Academy Award winner Joseph L. Mankiewicz.</summary>
<content type="html">Twentieth Century Fox has restored the 243-minute original theatrical version of Cleopatra to commemorate the film’s 50th anniversary. Directed by Academy Award winner Joseph L. Mankiewicz.</content>
<source>
<title>ramanmedianetwork.com</title>
</source>
<bx:external-link>http://www.ramanmedianetwork.com/cleopatra-comes-back-on-the-big-screen/</bx:external-link>
<bx:adder>
<bx:fullname>Rakesh Raman</bx:fullname>
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<entry>
<title>Innovations that Enhance the Cinema Experience</title>
<link href="http://bx.businessweek.com/digital-cinema/innovations-that-enhance-the-cinema-experience/6928991642931603425-0e0694856dff8589445bd7123a7a1f8a/"/>
<id>urn:com:businessweek:bx:article:6928991642931603425-0e0694856dff8589445bd7123a7a1f8a</id>
<updated>2013-03-04T17:30:59.712-05:00</updated>
<summary>Last fall I was invited to visit the Galaxy Moviehouse &amp; Eatery in Austin, Texas — by Mark McLaughlin, General Manager — shortly before the official opening of the facility. My visit included a personal behind-the-scenes guided tour of the venue, to learn more about the vision behind this impressive theatre complex.</summary>
<content type="html">Last fall I was invited to visit the Galaxy Moviehouse &amp; Eatery in Austin, Texas — by Mark McLaughlin, General Manager — shortly before the official opening of the facility. My visit included a personal behind-the-scenes guided tour of the venue, to learn more about the vision behind this impressive theatre complex.</content>
<source>
<title>blogs.cisco.com</title>
</source>
<bx:external-link>http://blogs.cisco.com/cle/innovations-that-enhance-the-cinema-experience/</bx:external-link>
<bx:adder>
<bx:fullname>David Deans</bx:fullname>
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<entry>
<title>How 3D Will Impact the Growth of Digital TV</title>
<link href="http://bx.businessweek.com/digital-cinema/how-3d-will-impact-the-growth-of-digital-tv/11115205441075274771-a1a7abd5c468c923d22f82383bcca642/"/>
<id>urn:com:businessweek:bx:article:11115205441075274771-a1a7abd5c468c923d22f82383bcca642</id>
<updated>2013-01-09T15:06:02.005-05:00</updated>
<summary>This new technology is similar to the slats of venetian blinds. It allows one part of the movie to be projected at the screen to go to the left eye and another part of the movie to go directly to the right eye, thus causing a 3-D affect just like in real life.</summary>
<content type="html">This new technology is similar to the slats of venetian blinds. It allows one part of the movie to be projected at the screen to go to the left eye and another part of the movie to go directly to the right eye, thus causing a 3-D affect just like in real life.</content>
<source>
<title>blogs.cisco.com</title>
</source>
<bx:external-link>http://blogs.cisco.com/cle/how-3d-will-impact-the-growth-of-digital-tv/</bx:external-link>
<bx:adder>
<bx:fullname>David Deans</bx:fullname>
<bx:id>ddeans756</bx:id>
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<entry>
<title>How 3D Is Making Inroads in the Entertainment World</title>
<link href="http://bx.businessweek.com/digital-cinema/how-3d-is-making-inroads-in-the-entertainment-world/2267362017998205688-414e954144eed3ccc0c1b2593b6b96eb/"/>
<id>urn:com:businessweek:bx:article:2267362017998205688-414e954144eed3ccc0c1b2593b6b96eb</id>
<updated>2012-05-07T19:04:17.992-04:00</updated>
<summary>Global Technology Trends - Here&#39;s a market research report on the use of 3D technologies for TV programming, films, and video games. Read the report.</summary>
<content type="html">Global Technology Trends - Here&#39;s a market research report on the use of 3D technologies for TV programming, films, and video games. Read the report.</content>
<source>
<title>rmndigital.com</title>
</source>
<bx:external-link>http://www.rmndigital.com/how-3d-is-making-inroads-in-the-entertainment-world/</bx:external-link>
<bx:adder>
<bx:fullname>Rakesh Raman</bx:fullname>
<bx:id>rraman103</bx:id>
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<entry>
<title>Streams and the Future of Magazines</title>
<link href="http://bx.businessweek.com/digital-cinema/streams-and-the-future-of-magazines/15476795746151786278-2d264f76dfe0480f9671e9a8cc6f0919/"/>
<id>urn:com:businessweek:bx:article:15476795746151786278-2d264f76dfe0480f9671e9a8cc6f0919</id>
<updated>2012-08-29T21:25:05.639-04:00</updated>
<summary>I’ve run into a number of folks these past few days who read my piece last week: The State of Digital Media: Passion, Goat Rodeos, and Unicorn Exits. Some of you have asked me to explain a bit more on the economic issues regarding media startups.</summary>
<content type="html">I’ve run into a number of folks these past few days who read my piece last week: The State of Digital Media: Passion, Goat Rodeos, and Unicorn Exits. Some of you have asked me to explain a bit more on the economic issues regarding media startups.</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2012/08/22/streams-and-the-future-of-magazines/</bx:external-link>
<bx:adder>
<bx:fullname>Dru Sturgess</bx:fullname>
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<entry>
<title>Today&#39;s Deal : Canon EOS 5D Mark III | AceKor</title>
<link href="http://bx.businessweek.com/digital-cinema/todays-deal--canon-eos-5d-mark-iii---acekor/15211917060779779855-fcda1e110e784e57645aacb2135a434c/"/>
<id>urn:com:businessweek:bx:article:15211917060779779855-fcda1e110e784e57645aacb2135a434c</id>
<updated>2012-10-24T21:31:39.134-04:00</updated>
<summary>Check for the today&#39;s deal for canon EOS 5D MARK Digital Camera. Check for the price, features and specification.</summary>
<content type="html">Check for the today&#39;s deal for canon EOS 5D MARK Digital Camera. Check for the price, features and specification.</content>
<source>
<title>acekor.com</title>
</source>
<bx:external-link>http://www.acekor.com/todays-deal-canon-eos-5d-mark-iii/</bx:external-link>
<bx:adder>
<bx:fullname>Karan Mahajan</bx:fullname>
<bx:id>kmahajan272</bx:id>
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<entry>
<title>Bollywood 3D movie making coming of age: Ra.One</title>
<link href="http://bx.businessweek.com/digital-cinema/bollywood-3d-movie-making-coming-of-age-raone/9694481249601501009-1ba844e8a59d104451eaab73f9a82396/"/>
<id>urn:com:businessweek:bx:article:9694481249601501009-1ba844e8a59d104451eaab73f9a82396</id>
<updated>2011-10-27T19:02:51.771-04:00</updated>
<summary>So what was Ra.One like in Stereoscopic 3D?
The Pros:
Near Excellent 2D to 3D conversion in my opinion done by Prime Focus. It also looks like 2D to 3D conversion is finally coming of age! – I stop short of saying really Excellent, only because of some shots. But then again, only a stereo purist would pick on these shots. However it’s worth bringing to notice and only in the form of constructive criticism (mentioned in the cons below)....</summary>
<content type="html">So what was Ra.One like in Stereoscopic 3D?
The Pros:
Near Excellent 2D to 3D conversion in my opinion done by Prime Focus. It also looks like 2D to 3D conversion is finally coming of age! – I stop short of saying really Excellent, only because of some shots. But then again, only a stereo purist would pick on these shots. However it’s worth bringing to notice and only in the form of constructive criticism (mentioned in the cons below)....</content>
<source>
<title>realvision.ae</title>
</source>
<bx:external-link>http://realvision.ae/blog/2011/10/bollywood-3d-movie-making-coming-of-age-ra-one/#disqus_thread</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
<bx:id>cdesouza835</bx:id>
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<entry>
<title>Embed Live Stereoscopic 3DTV content in a 2D signal.</title>
<link href="http://bx.businessweek.com/digital-cinema/embed-live-stereoscopic-3dtv-content-in-a-2d-signal/8966594485688712137-8568a082539b3fb8e01b01c0433f5eb6/"/>
<id>urn:com:businessweek:bx:article:8966594485688712137-8568a082539b3fb8e01b01c0433f5eb6</id>
<updated>2011-10-25T12:34:34.025-04:00</updated>
<summary>The biggest benefit of this approach is that this will also be backward compatible on TV’s that are non 3D enabled, either by way of a transparent (no user intervention needed) firmware update (if Smart TV) or via Set-top box update in case of flatscreen HD TVs with no internet port.</summary>
<content type="html">The biggest benefit of this approach is that this will also be backward compatible on TV’s that are non 3D enabled, either by way of a transparent (no user intervention needed) firmware update (if Smart TV) or via Set-top box update in case of flatscreen HD TVs with no internet port.</content>
<source>
<title>realvision.ae</title>
</source>
<bx:external-link>http://realvision.ae/blog/2011/10/embed-live-stereoscopic-3dtv-content-in-a-2d-signal/</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
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<entry>
<title>3d Home Theaters, 3D DLP projectors versus 3D TV</title>
<link href="http://bx.businessweek.com/digital-cinema/3d-home-theaters-3d-dlp-projectors-versus-3d-tv/17663833687167357173-59436f52ad8e2400a467905df303a1fc/"/>
<id>urn:com:businessweek:bx:article:17663833687167357173-59436f52ad8e2400a467905df303a1fc</id>
<updated>2010-01-07T17:57:40.170-05:00</updated>
<summary>The 3D Home Theater Experience: There is no doubt that the 3D movie experience is about to invade homes. It was inevitable. Just a couple of years ago, big name Hollywood Directors and producers were...</summary>
<content type="html">The 3D Home Theater Experience: There is no doubt that the 3D movie experience is about to invade homes. It was inevitable. Just a couple of years ago, big name Hollywood Directors and producers were...</content>
<source>
<title>realvision.ae</title>
</source>
<bx:external-link>http://realvision.ae/blog/2009/10/3d-home-theaters-3d-dlp-projectors-versus-3d-tv/</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
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<entry>
<title>3-D broadcasts offer a new dimension - Florida-Oklahoma BSC game</title>
<link href="http://bx.businessweek.com/digital-cinema/3-d-broadcasts-offer-a-new-dimension---florida-oklahoma-bsc-game/14000930384384396725-d80523030321e857a9cb19839d43997d/"/>
<id>urn:com:businessweek:bx:article:14000930384384396725-d80523030321e857a9cb19839d43997d</id>
<updated>2008-12-17T10:36:04.916-05:00</updated>
<summary>3-D broadcast in movie theaters of the Bowl Championship Series football game between Oklahoma and Florida on Jan. 8.</summary>
<content type="html">3-D broadcast in movie theaters of the Bowl Championship Series football game between Oklahoma and Florida on Jan. 8.</content>
<source>
<title>latimes.com</title>
</source>
<bx:external-link>http://www.latimes.com/sports/custom/extras/la-spw-media17-2008dec17,0,6935417.story</bx:external-link>
<bx:adder>
<bx:fullname>John Cady</bx:fullname>
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<entry>
<title>Technicolor’s Guide to 3D… a Stereoscopic 3D Dictionary.</title>
<link href="http://bx.businessweek.com/digital-cinema/technicolors-guide-to-3d-a-stereoscopic-3d-dictionary/10361021837832388394-33f33ef729d981133b6aabbcd2e00a6b/"/>
<id>urn:com:businessweek:bx:article:10361021837832388394-33f33ef729d981133b6aabbcd2e00a6b</id>
<updated>2011-05-24T13:55:33.355-04:00</updated>
<summary>What is the &quot;circle of isolation&quot; or &quot;depth warping&quot; in 3D movie making? All this and more explained in Technicolor&#39;s Guide to 3D...</summary>
<content type="html">What is the &quot;circle of isolation&quot; or &quot;depth warping&quot; in 3D movie making? All this and more explained in Technicolor&#39;s Guide to 3D...</content>
<source>
<title>realvision.ae</title>
</source>
<bx:external-link>http://realvision.ae/blog/2011/05/technicolors-guide-to-3d-a-stereoscopic-3d-dictionary/</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
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<entry>
<title>“This isn’t your Grandfather’s 3D”. A response to the Murch / Ebert critique.</title>
<link href="http://bx.businessweek.com/digital-cinema/this-isnt-your-grandfathers-3d-a-response-to-the-murch--ebert-critique/5069248514693569610-bec0154ef0171e2659529627fcc08c82/"/>
<id>urn:com:businessweek:bx:article:5069248514693569610-bec0154ef0171e2659529627fcc08c82</id>
<updated>2011-01-31T13:29:07.066-05:00</updated>
<summary>* As we age, are our eyes equally ambidextrous as before?
* Do our focusing muscles tire more than that of kids, teenagers and people in their 30′s and 40s? (quite a chunk of movie going audiences)
* Being professionals with legacy track records, are we still keeping track of modern technology and its RAPID pace of evolution or has experience bias crept in?.
* Are we still on “top of our craft?” – Editing has now moved from splicing or NLE (offline / online) to completely different workflows for Stereo 3D...</summary>
<content type="html">* As we age, are our eyes equally ambidextrous as before?
* Do our focusing muscles tire more than that of kids, teenagers and people in their 30′s and 40s? (quite a chunk of movie going audiences)
* Being professionals with legacy track records, are we still keeping track of modern technology and its RAPID pace of evolution or has experience bias crept in?.
* Are we still on “top of our craft?” – Editing has now moved from splicing or NLE (offline / online) to completely different workflows for Stereo 3D...</content>
<source>
<title>realvision.ae</title>
</source>
<bx:external-link>http://realvision.ae/blog/2011/01/this-isnt-your-grandfathers-3d-a-response-to-the-murch-ebert-critique/</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
<bx:id>cdesouza835</bx:id>
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<entry>
<title>Battleship Movie features Cisco TelePresence</title>
<link href="http://bx.businessweek.com/digital-cinema/battleship-movie-features-cisco-telepresence/9575515046978588819-480a64ed905b0b8e042fabc49ba73c85/"/>
<id>urn:com:businessweek:bx:article:9575515046978588819-480a64ed905b0b8e042fabc49ba73c85</id>
<updated>2012-05-09T15:31:46.193-04:00</updated>
<summary>In this summer’s epic adventure “Battleship,” the action unfolds across the seas, in the skies and over land as our planet fights for survival against a superior force.</summary>
<content type="html">In this summer’s epic adventure “Battleship,” the action unfolds across the seas, in the skies and over land as our planet fights for survival against a superior force.</content>
<source>
<title>geobrava.wordpress.com</title>
</source>
<bx:external-link>http://geobrava.wordpress.com/2012/05/09/battleship-movie-features-cisco-telepresence/</bx:external-link>
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<bx:fullname>David Deans</bx:fullname>
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<entry>
<title>Marcus Theatres Expands Digital Signage Network</title>
<link href="http://bx.businessweek.com/digital-cinema/marcus-theatres-expands-digital-signage-network/8664250804497052128-6f2da08d2c90bf91aa76333bc3cf1c67/"/>
<id>urn:com:businessweek:bx:article:8664250804497052128-6f2da08d2c90bf91aa76333bc3cf1c67</id>
<updated>2011-07-12T11:05:56.389-04:00</updated>
<summary>Cinema Scene Marketing, providers of theatre-lobby media and promotions, will expand its Digital Media Network to 23 additional Marcus Theatre locations July 12, 2011</summary>
<content type="html">Cinema Scene Marketing, providers of theatre-lobby media and promotions, will expand its Digital Media Network to 23 additional Marcus Theatre locations July 12, 2011</content>
<source>
<title>screenmediadaily.com</title>
</source>
<bx:external-link>http://www.screenmediadaily.com/news-cinema-scene-marketing-marcus-theatre-trailervision-digital-signage-poster-network-0014001408.shtml</bx:external-link>
<bx:adder>
<bx:fullname>Lionel Tepper</bx:fullname>
<bx:id>ltepper437</bx:id>
<bx:link href="http://bx.businessweek.com/profile/lionel-tepper/ltepper437/"/>
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</entry>
<entry>
<title>Disney Learns Lessons From Pixar</title>
<link href="http://bx.businessweek.com/digital-cinema/disney-learns-lessons-from-pixar/6331161858183905967-cd4b9aab6534a66ffff7a4d6683032b9/"/>
<id>urn:com:businessweek:bx:article:6331161858183905967-cd4b9aab6534a66ffff7a4d6683032b9</id>
<updated>2008-10-27T04:23:58.591-04:00</updated>
<summary>Storied Animation Studio&#39;s New 3-D Computer-Generated Film Showcases Melding of Pixar Talent more in Media &amp; Marketing » When &#39;Bolt&#39; opens around Thanksgiving, audiences might be forgiven for thinking the 3-D computer-animated film came from</summary>
<content type="html">Storied Animation Studio&#39;s New 3-D Computer-Generated Film Showcases Melding of Pixar Talent more in Media &amp; Marketing » When &#39;Bolt&#39; opens around Thanksgiving, audiences might be forgiven for thinking the 3-D computer-animated film came from</content>
<source>
<title>The Australian</title>
</source>
<bx:external-link>http://c.moreover.com/click/here.pl?r1662192925&amp;f=9791</bx:external-link>
<bx:adder>
<bx:fullname></bx:fullname>
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<bx:link href=""/>
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</entry>
<entry>
<title>Dr. Seuss’ The Lorax Ropes in Taylor Swift</title>
<link href="http://bx.businessweek.com/digital-cinema/dr-seuss-the-lorax-ropes-in-taylor-swift/12560694699943516977-a448ff6a51f0a55e10c42f9679118855/"/>
<id>urn:com:businessweek:bx:article:12560694699943516977-a448ff6a51f0a55e10c42f9679118855</id>
<updated>2011-03-19T13:16:02.519-04:00</updated>
<summary>Dr. Seuss’ The Lorax - The animated adventure follows the journey of a boy as he searches for the one thing that will enable him to win the affection of the girl of his dreams. Taylor Swift&#39;s role?</summary>
<content type="html">Dr. Seuss’ The Lorax - The animated adventure follows the journey of a boy as he searches for the one thing that will enable him to win the affection of the girl of his dreams. Taylor Swift&#39;s role?</content>
<source>
<title>ramanmedianetwork.com</title>
</source>
<bx:external-link>http://www.ramanmedianetwork.com/dr-seuss-the-lorax-ropes-in-taylor-swift/</bx:external-link>
<bx:adder>
<bx:fullname>Rakesh Raman</bx:fullname>
<bx:id>rraman103</bx:id>
<bx:link href="http://bx.businessweek.com/profile/rakesh-raman/rraman103/"/>
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</entry>
<entry>
<title>The &quot;Director of Depth&quot; versus &quot;Director of Photography&quot; in a 3D Movie</title>
<link href="http://bx.businessweek.com/digital-cinema/the-director-of-depth-versus-director-of-photography-in-a-3d-movie/5132956190851769527-53c6f327e0a9dcf2357b9e4b142441f3/"/>
<id>urn:com:businessweek:bx:article:5132956190851769527-53c6f327e0a9dcf2357b9e4b142441f3</id>
<updated>2010-08-08T09:39:58.292-04:00</updated>
<summary>One thing that Movie Producers need to beware of is the sudden change in title from Cinematographer to Stereographer or the addendum of this title. While there is nothing wrong with jumping on the bandwagon and we are indeed in the midst of an evolution in movie making, we have to be cautious not to end the 3D revolution this time, before it has even begun! ... read on...</summary>
<content type="html">One thing that Movie Producers need to beware of is the sudden change in title from Cinematographer to Stereographer or the addendum of this title. While there is nothing wrong with jumping on the bandwagon and we are indeed in the midst of an evolution in movie making, we have to be cautious not to end the 3D revolution this time, before it has even begun! ... read on...</content>
<source>
<title>realvision.ae</title>
</source>
<bx:external-link>http://realvision.ae/blog/2010/08/the-6-job-functions-of-a-good-stereographer-in-modern-3d-movies/</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
<bx:id>cdesouza835</bx:id>
<bx:link href="http://bx.businessweek.com/profile/clyde-desouza/cdesouza835/"/>
</bx:adder>
<bx:action>
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</entry>
<entry>
<title>World&#39;s First Large-Scale Spherical OLED Screen Shows High-Resolution Images of the Earth (Digital Signage Universe)</title>
<link href="http://bx.businessweek.com/digital-cinema/worlds-first-large-scale-spherical-oled-screen-shows-high-resolution-images-of-the-earth--digital-signage-universe/9440097813110361357-49c119a28d9cea9301c8bea38737668e/"/>
<id>urn:com:businessweek:bx:article:9440097813110361357-49c119a28d9cea9301c8bea38737668e</id>
<updated>2011-06-01T09:49:05.117-04:00</updated>
<summary>The new OLED display is globe called &quot;Geo-Cosmos&quot; and displays visions of the earth taken from a meteorological satellites. Images on the Geo-Cosmos display are updated daily from weather satellites showing cloud formations. The system can also show ocean acidification, temperature changes, and various scientific data including seasonal changes and the effects of global warming. Geo-Cosmos&#39; content is acquired from scientists and research institutes from all around the world. Geo-Cosmos is one part of a larger project to help illustrate how people are linked &quot;Tsunagari&quot; together with the earth.</summary>
<content type="html">The new OLED display is globe called &quot;Geo-Cosmos&quot; and displays visions of the earth taken from a meteorological satellites. Images on the Geo-Cosmos display are updated daily from weather satellites showing cloud formations. The system can also show ocean acidification, temperature changes, and various scientific data including seasonal changes and the effects of global warming. Geo-Cosmos&#39; content is acquired from scientists and research institutes from all around the world. Geo-Cosmos is one part of a larger project to help illustrate how people are linked &quot;Tsunagari&quot; together with the earth.</content>
<source>
<title>digitalsignageuniverse.typepad.com</title>
</source>
<bx:external-link>http://digitalsignageuniverse.typepad.com/digital_signage_universe/2011/06/worlds-first-large-scale-spherical-oled-screen-shows-high-resolution-images-of-the-earth-.html</bx:external-link>
<bx:adder>
<bx:fullname>Lionel Tepper</bx:fullname>
<bx:id>ltepper437</bx:id>
<bx:link href="http://bx.businessweek.com/profile/lionel-tepper/ltepper437/"/>
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</entry>
<entry>
<title>What goes into a good Stereographer&#39;s Stereoscopic 3D Showreel?</title>
<link href="http://bx.businessweek.com/digital-cinema/what-goes-into-a-good-stereographers-stereoscopic-3d-showreel/10037753498570409902-847326f735cd20a25b8bd6bc02169583/"/>
<id>urn:com:businessweek:bx:article:10037753498570409902-847326f735cd20a25b8bd6bc02169583</id>
<updated>2011-03-29T01:51:10.610-04:00</updated>
<summary>So what would go into a Stereographer’s Show-Reel to suitably endorse their status?. Let’s look at some of the high-end Stereoscopic 3D movie making skill sets needed, to guarantee a stereographer a job in today’s and tomorrow’s 3D movies.</summary>
<content type="html">So what would go into a Stereographer’s Show-Reel to suitably endorse their status?. Let’s look at some of the high-end Stereoscopic 3D movie making skill sets needed, to guarantee a stereographer a job in today’s and tomorrow’s 3D movies.</content>
<source>
<title>bit.ly</title>
</source>
<bx:external-link>http://bit.ly/dRmsf4</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
<bx:id>cdesouza835</bx:id>
<bx:link href="http://bx.businessweek.com/profile/clyde-desouza/cdesouza835/"/>
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<entry>
<title>» Understanding the use of Stereo 3D in movies: Geography, Emotion and Dwell time.</title>
<link href="http://bx.businessweek.com/digital-cinema/-understanding-the-use-of-stereo-3d-in-movies-geography-emotion-and-dwell-time/12523163960530347328-e0d8cece73ec877d8c6aad34ac2b96fc/"/>
<id>urn:com:businessweek:bx:article:12523163960530347328-e0d8cece73ec877d8c6aad34ac2b96fc</id>
<updated>2011-06-21T11:32:25.077-04:00</updated>
<summary>let’s look at one reason that today’s 3D movies are not as “immersive” as they could be. That reason has something to do with the fact that Directors and Cinematographers accustomed to traditional 2D storytelling and scene building are not familiar with one secret ingredient that contributes to compelling 3D movies… “Dwell Time”....</summary>
<content type="html">let’s look at one reason that today’s 3D movies are not as “immersive” as they could be. That reason has something to do with the fact that Directors and Cinematographers accustomed to traditional 2D storytelling and scene building are not familiar with one secret ingredient that contributes to compelling 3D movies… “Dwell Time”....</content>
<source>
<title>bit.ly</title>
</source>
<bx:external-link>http://bit.ly/lFq85L</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
<bx:id>cdesouza835</bx:id>
<bx:link href="http://bx.businessweek.com/profile/clyde-desouza/cdesouza835/"/>
</bx:adder>
<bx:action>
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<entry>
<title>DreamWorks to Capture Monkeys of Bollywood</title>
<link href="http://bx.businessweek.com/digital-cinema/dreamworks-to-capture-monkeys-of-bollywood/11852520255809756371-745a65b9696c32f80733d9993d9ed0c4/"/>
<id>urn:com:businessweek:bx:article:11852520255809756371-745a65b9696c32f80733d9993d9ed0c4</id>
<updated>2011-01-14T05:01:46.458-05:00</updated>
<summary>Bollywood has become a family-run fiefdom full of “their fathers’ sons and their mothers’ daughters.” So, real art and creativity can’t survive in Bollywood. But you must not stop DreamWorks from chasing its own dreams in the dilapidated Indian tinseltown.</summary>
<content type="html">Bollywood has become a family-run fiefdom full of “their fathers’ sons and their mothers’ daughters.” So, real art and creativity can’t survive in Bollywood. But you must not stop DreamWorks from chasing its own dreams in the dilapidated Indian tinseltown.</content>
<source>
<title>ramanmedianetwork.com</title>
</source>
<bx:external-link>http://www.ramanmedianetwork.com/dreamworks-to-capture-monkeys-of-bollywood/</bx:external-link>
<bx:adder>
<bx:fullname>Rakesh Raman</bx:fullname>
<bx:id>rraman103</bx:id>
<bx:link href="http://bx.businessweek.com/profile/rakesh-raman/rraman103/"/>
</bx:adder>
<bx:action>
<bx:total>2</bx:total>
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<entry>
<title>Photos: Inside a $60 Million Dream House</title>
<link href="http://bx.businessweek.com/digital-cinema/photos-inside-a-60-million-dream-house/15693194214284983984-b9eac8ffa086bd60b1ece77fd5b04bde/"/>
<id>urn:com:businessweek:bx:article:15693194214284983984-b9eac8ffa086bd60b1ece77fd5b04bde</id>
<updated>2011-01-10T00:34:00.000-05:00</updated>
<summary>estate, which has cost them $30 million so far, has one of the state&#39;s first in-home projection 3-D movie theaters. The home, which was built by developers Shlomi Alexander and Felix Cohen, also has a hidden art vault, an elaborate security system and a</summary>
<content type="html">estate, which has cost them $30 million so far, has one of the state&#39;s first in-home projection 3-D movie theaters. The home, which was built by developers Shlomi Alexander and Felix Cohen, also has a hidden art vault, an elaborate security system and a</content>
<source>
<title>Wall Street Journal Online</title>
</source>
<bx:external-link>http://c.moreover.com/click/here.pl?r3919150134&amp;f=9791</bx:external-link>
<bx:adder>
<bx:fullname></bx:fullname>
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<entry>
<title>Calculating a 3D Movie&#39;s HURT INDEX ...</title>
<link href="http://bx.businessweek.com/digital-cinema/calculating-a-3d-movies-hurt-index-/5714864774520932577-e0bef7d2fad1ff822e4ada07030a364c/"/>
<id>urn:com:businessweek:bx:article:5714864774520932577-e0bef7d2fad1ff822e4ada07030a364c</id>
<updated>2011-05-27T06:21:25.950-04:00</updated>
<summary>There is no formula to calculate the 3D Hurt Level of a stereoscopic 3D presentation. While all variables for such a calculation itself have not been defined, we could hypothesize that it could be based on variables such as:
Length of Exposure of 3D to Audience in hours and minutes: variable could be called ”Time”
Number of rapid cuts between scenes in a sequence: “Rapid Cuts”
Physical size of projection screen in centimeters or inches: “screen”
Length of Exposure in time of Strong negative Z Space parallax of elements… or out of screen effects: “NZ”...
..read more..</summary>
<content type="html">There is no formula to calculate the 3D Hurt Level of a stereoscopic 3D presentation. While all variables for such a calculation itself have not been defined, we could hypothesize that it could be based on variables such as:
Length of Exposure of 3D to Audience in hours and minutes: variable could be called ”Time”
Number of rapid cuts between scenes in a sequence: “Rapid Cuts”
Physical size of projection screen in centimeters or inches: “screen”
Length of Exposure in time of Strong negative Z Space parallax of elements… or out of screen effects: “NZ”...
..read more..</content>
<source>
<title>bit.ly</title>
</source>
<bx:external-link>http://bit.ly/jdgcWp</bx:external-link>
<bx:adder>
<bx:fullname>Clyde DeSouza</bx:fullname>
<bx:id>cdesouza835</bx:id>
<bx:link href="http://bx.businessweek.com/profile/clyde-desouza/cdesouza835/"/>
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