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<title>Graphic Design - Business Exchange</title>
<subtitle>Most Active Articles</subtitle>
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<updated>2009-11-26T08:35:24.806-05:00</updated>
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<name>Business Exchange</name>
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<id>urn:com:businessweek:bx:topic:most-active:graphic-design</id>
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<bx:fullname>Kristen Ley</bx:fullname>
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<entry>
<title>9 Ways to Visualize Proportions – A Guide</title>
<link href="/graphic-design/9-ways-to-visualize-proportions--a-guide/12238955707753726097-a7b1976eb67386c64a1d72ee9fef94ec/"/>
<id>urn:com:businessweek:bx:article:12238955707753726097-a7b1976eb67386c64a1d72ee9fef94ec</id>
<updated>2009-11-26T00:15:31.414-05:00</updated>
<summary>With all the visualization options out there, it can be hard to figure out what graph or chart suits your data best. This is a guide to make your decision easier for one particular type of data: proportions. Maybe you want to show poll results or...</summary>
<content type="html">With all the visualization options out there, it can be hard to figure out what graph or chart suits your data best. This is a guide to make your decision easier for one particular type of data: proportions. Maybe you want to show poll results or...</content>
<source>
<title>flowingdata.com</title>
</source>
<bx:external-link>http://flowingdata.com/2009/11/25/9-ways-to-visualize-proportions-a-guide/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
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<entry>
<title>To Grid or Not to Grid: Advantages and Disadvantages</title>
<link href="/graphic-design/to-grid-or-not-to-grid-advantages-and-disadvantages/13864129806338107458-5158c3edbdc2cc124204c13bd6d67581/"/>
<id>urn:com:businessweek:bx:article:13864129806338107458-5158c3edbdc2cc124204c13bd6d67581</id>
<updated>2009-11-26T00:18:05.796-05:00</updated>
<summary>is a commonly used component in both web and graphic design, promoting organization and alignment in the final output. Better alignment and order can, of course, lead to a more effective design, whether it is for print or the web. When used...</summary>
<content type="html">is a commonly used component in both web and graphic design, promoting organization and alignment in the final output. Better alignment and order can, of course, lead to a more effective design, whether it is for print or the web. When used...</content>
<source>
<title>webdesignerdepot.com</title>
</source>
<bx:external-link>http://www.webdesignerdepot.com/2009/11/to-grid-or-not-to-grid-advantages-and-disadvantages/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
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<entry>
<title>9th Brazilian Graphic Design Biennial goes to China</title>
<link href="/graphic-design/9th-brazilian-graphic-design-biennial-goes-to-china/6429524535949670384-602afac9f30bb52973daf5bbd04813e7/"/>
<id>urn:com:businessweek:bx:article:6429524535949670384-602afac9f30bb52973daf5bbd04813e7</id>
<updated>2009-11-24T23:51:54.192-05:00</updated>
<summary>The 9th issue of the biggest graphic design event in South America features almost 300 design projects created in the last couple years by a wide range of Brazilian professionals, from big traditional agencies to recently graduated designers. Selected by some of the finest design professionals and scholars in Brazil, the projects are divided in 9 categories, from visual identity systems and packaging to posters and typeface design.</summary>
<content type="html">The 9th issue of the biggest graphic design event in South America features almost 300 design projects created in the last couple years by a wide range of Brazilian professionals, from big traditional agencies to recently graduated designers. Selected by some of the finest design professionals and scholars in Brazil, the projects are divided in 9 categories, from visual identity systems and packaging to posters and typeface design.</content>
<source>
<title>braziliangraphicdesign.com</title>
</source>
<bx:external-link>http://www.braziliangraphicdesign.com/2009/10/02/9th-brazilian-graphic-design-biennial-goes-to-china/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
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<entry>
<title>Pontifícia Universidade Católica do Paraná featured on the “World’s Best Design Programs” list by BusinessWeek magazine</title>
<link href="/graphic-design/pontifcia-universidade-catlica-do-paran-featured-on-the-worlds-best-design-programs-list-by-businessweek-magazine/13684732903265642771-f4d533fc54fac0ab2665c330aacb2e74/"/>
<id>urn:com:businessweek:bx:article:13684732903265642771-f4d533fc54fac0ab2665c330aacb2e74</id>
<updated>2009-11-24T23:20:30.863-05:00</updated>
<summary>Companies in every industry have adopted design thinking to offer fresh insight in functions from strategy to finance. BusinessWeek selected 39 master&#39;s and MBA programs from North America, Europe, Asia, South America and Australia that significantly integrate design thinking and business. Students in these programs take classes in art, management and science, for example, and create projects in multi-disciplinary teams with students from other schools. They aim to use design for strategy rather than merely for aesthetics and may find jobs as design managers, researchers or business consultants. These 30 programs have formally established hybrid curricula.</summary>
<content type="html">Companies in every industry have adopted design thinking to offer fresh insight in functions from strategy to finance. BusinessWeek selected 39 master&#39;s and MBA programs from North America, Europe, Asia, South America and Australia that significantly integrate design thinking and business. Students in these programs take classes in art, management and science, for example, and create projects in multi-disciplinary teams with students from other schools. They aim to use design for strategy rather than merely for aesthetics and may find jobs as design managers, researchers or business consultants. These 30 programs have formally established hybrid curricula.</content>
<source>
<title>braziliangraphicdesign.com</title>
</source>
<bx:external-link>http://www.braziliangraphicdesign.com/2009/11/12/pontificia-universidade-catolica-do-parana-featured-on-the-worlds-best-design-programs-list-by-businessweek-magazine/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
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<entry>
<title>Competition: What is the most Ugly and Useless Visualization Online?</title>
<link href="/graphic-design/competition-what-is-the-most-ugly-and-useless-visualization-online/17590709008859144035-486bd773e68110c0505781288a05f1f2/"/>
<id>urn:com:businessweek:bx:article:17590709008859144035-486bd773e68110c0505781288a05f1f2</id>
<updated>2009-11-24T21:40:01.194-05:00</updated>
<summary>Want to participate in a competition worth almost US$1000? Read on! There has been a lot of discussion about the concept of information aesthetics lately, mostly focusing on the seemingly rapid rise of misplaced attention to &quot;pretty, flashy mash-ups...</summary>
<content type="html">Want to participate in a competition worth almost US$1000? Read on! There has been a lot of discussion about the concept of information aesthetics lately, mostly focusing on the seemingly rapid rise of misplaced attention to &quot;pretty, flashy mash-ups...</content>
<source>
<title>infosthetics.com</title>
</source>
<bx:external-link>http://infosthetics.com/archives/2009/11/competition_most_ugly_and_useless_visualization_online.html</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
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<entry>
<title>3 Ways To Suck the Life Out of Your Brand</title>
<link href="/graphic-design/3-ways-to-suck-the-life-out-of-your-brand/759333854897566150-1c667eff23d5863230e502b28a78ae4f/"/>
<id>urn:com:businessweek:bx:article:759333854897566150-1c667eff23d5863230e502b28a78ae4f</id>
<updated>2009-11-23T15:46:59.001-05:00</updated>
<summary>This a guest blog for Online Wizard Jim Kukral. Any resemblance between Brad Pitt and I is purely coincidental.</summary>
<content type="html">This a guest blog for Online Wizard Jim Kukral. Any resemblance between Brad Pitt and I is purely coincidental.</content>
<source>
<title>Jim Kukral - Small Business Consultant</title>
</source>
<bx:external-link>http://www.jimkukral.com/3-ways-to-suck-the-life-out-of-your-brand/</bx:external-link>
<bx:adder>
<bx:fullname>David Brier</bx:fullname>
<bx:id>dbrier472</bx:id>
<bx:link href="http://bx.businessweek.com/profile/david-brier/dbrier472/"/>
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<entry>
<title>Infographic of the Day: The Brains vs. Beauty Quandry | Design &amp; Innovation</title>
<link href="/graphic-design/infographic-of-the-day-the-brains-vs-beauty-quandry--design--innovation/1374700451328168408-1f3face6339da9d9b58deb7ee9744a0d/"/>
<id>urn:com:businessweek:bx:article:1374700451328168408-1f3face6339da9d9b58deb7ee9744a0d</id>
<updated>2009-11-23T05:09:50.729-05:00</updated>
<summary>(BY Cliff KuangFri) Everyone understands the various categories displayed in this Venn diagram: In hunting for a partner or a fling, we all known the trade-offs between beauty and brains. But we&#39;ve never before seen a chart that so accurately describes the trials and tribulations of meeting someone worth dating.</summary>
<content type="html">(BY Cliff KuangFri) Everyone understands the various categories displayed in this Venn diagram: In hunting for a partner or a fling, we all known the trade-offs between beauty and brains. But we&#39;ve never before seen a chart that so accurately describes the trials and tribulations of meeting someone worth dating.</content>
<source>
<title>fastcompany.com</title>
</source>
<bx:external-link>http://www.fastcompany.com/blog/cliff-kuang/design-innovation/infographic-day-physical-attractiveness-vs-mental-attractiveness</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
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<entry>
<title>The Right Type of Education | i love typography, the typography and fonts blog</title>
<link href="/graphic-design/the-right-type-of-education--i-love-typography-the-typography-and-fonts-blog/14872809450311289850-62461b9d14cd942bae251c8c25d5aad3/"/>
<id>urn:com:businessweek:bx:article:14872809450311289850-62461b9d14cd942bae251c8c25d5aad3</id>
<updated>2009-11-23T04:48:17.677-05:00</updated>
<summary>Last year Mathieu Christe and Berton Hasebe wrote a very thorough article detailing the general day to day of the Type and Media masters program. With this article we hope to outline an historical overview of the course and provide a brief look at...</summary>
<content type="html">Last year Mathieu Christe and Berton Hasebe wrote a very thorough article detailing the general day to day of the Type and Media masters program. With this article we hope to outline an historical overview of the course and provide a brief look at...</content>
<source>
<title>ilovetypography.com</title>
</source>
<bx:external-link>http://ilovetypography.com/2009/11/20/the-right-type-of-education/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
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<entry>
<title>Infographic Smoke and Mirrors | Visual Business Intelligence</title>
<link href="/graphic-design/infographic-smoke-and-mirrors--visual-business-intelligence/4379146103623417834-1d5b4b914f13cfbbc510c297ce0fe5a3/"/>
<id>urn:com:businessweek:bx:article:4379146103623417834-1d5b4b914f13cfbbc510c297ce0fe5a3</id>
<updated>2009-11-23T05:30:06.749-05:00</updated>
<summary>I’ve written previously about my concern that infographics—the mixture of text and images to tell stories, explain concepts, describe processes, or provide instructions—have no real research to back up their claims of effectiveness.</summary>
<content type="html">I’ve written previously about my concern that infographics—the mixture of text and images to tell stories, explain concepts, describe processes, or provide instructions—have no real research to back up their claims of effectiveness.</content>
<source>
<title>perceptualedge.com</title>
</source>
<bx:external-link>http://www.perceptualedge.com/blog/?p=494</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
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<entry>
<title>Type: A Visual History of Typefaces &amp; Graphic Styles</title>
<link href="/graphic-design/type-a-visual-history-of-typefaces--graphic-styles/11979847952218880777-f8d08f941d3e35b9f3160ce52955b893/"/>
<id>urn:com:businessweek:bx:article:11979847952218880777-f8d08f941d3e35b9f3160ce52955b893</id>
<updated>2009-11-23T05:06:50.679-05:00</updated>
<summary>(Reviewed by James Puckett) I was excited when Taschen announced the first volume of Type: A Visual History of Typefaces and Graphic Styles, described as “This exuberant selection of typographic fonts and styles traces the modern evolution of the printed letter” *. Such language, including the title, is disingenuous, because this book is not a history. Type does contain a short essay by coauthor/coeditor Cees W. de Jong about type history, but it is poorly written and riddled with inaccuracies. Similarly bad are the captions that introduce each specimen. Many are obvious or inane statements such as “It was an honor to have one’s name set on such a lovely publication.” (p. 88), “This printer from Amsterdam evidently had a lot of customers in the countryside.” (p. 100) and “Back in time! Two lines, two different typefaces in a fantasy world.” (p. 243). Overall the writing feels like a draft rushed to press; it should have been fact checked and edited by a historian.</summary>
<content type="html">(Reviewed by James Puckett) I was excited when Taschen announced the first volume of Type: A Visual History of Typefaces and Graphic Styles, described as “This exuberant selection of typographic fonts and styles traces the modern evolution of the printed letter” *. Such language, including the title, is disingenuous, because this book is not a history. Type does contain a short essay by coauthor/coeditor Cees W. de Jong about type history, but it is poorly written and riddled with inaccuracies. Similarly bad are the captions that introduce each specimen. Many are obvious or inane statements such as “It was an honor to have one’s name set on such a lovely publication.” (p. 88), “This printer from Amsterdam evidently had a lot of customers in the countryside.” (p. 100) and “Back in time! Two lines, two different typefaces in a fantasy world.” (p. 243). Overall the writing feels like a draft rushed to press; it should have been fact checked and edited by a historian.</content>
<source>
<title>ilovetypography.com</title>
</source>
<bx:external-link>http://ilovetypography.com/2009/11/06/type-a-visual-history-of-typefaces-graphic-styles/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
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<entry>
<title>Communication Arts - 2009 Design Annual</title>
<link href="/graphic-design/communication-arts---2009-design-annual/11184314657743001703-f649b2f61b7e18a8d6fce80e20d3c265/"/>
<id>urn:com:businessweek:bx:article:11184314657743001703-f649b2f61b7e18a8d6fce80e20d3c265</id>
<updated>2009-11-23T05:00:41.766-05:00</updated>
<summary>2009 Design Annual The finest design solutions of the past year were chosen by our distinguished jury who, despite challenging economic conditions, expressed optimism about the future of design and found plenty of excellent work to choose from.</summary>
<content type="html">2009 Design Annual The finest design solutions of the past year were chosen by our distinguished jury who, despite challenging economic conditions, expressed optimism about the future of design and found plenty of excellent work to choose from.</content>
<source>
<title>commarts.com</title>
</source>
<bx:external-link>http://www.commarts.com/annuals/2009-Design</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
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<entry>
<title>The Future: Embedding Data in the Everyday</title>
<link href="/graphic-design/the-future-embedding-data-in-the-everyday/16900418737260256189-02aba404cbaa6ecac0da89dd279455fe/"/>
<id>urn:com:businessweek:bx:article:16900418737260256189-02aba404cbaa6ecac0da89dd279455fe</id>
<updated>2009-11-23T04:55:51.352-05:00</updated>
<summary>Imagine a world where data becomes the everyday, simply embedded in what you normally do. It&#39;s really not far off if you think about it. We use charts, graphs, and viz to make important decisions with investments, businesses, and to stay informed on the news, so why not use it in our own lives?</summary>
<content type="html">Imagine a world where data becomes the everyday, simply embedded in what you normally do. It&#39;s really not far off if you think about it. We use charts, graphs, and viz to make important decisions with investments, businesses, and to stay informed on the news, so why not use it in our own lives?</content>
<source>
<title>FlowingData</title>
</source>
<bx:external-link>http://flowingdata.com/2009/11/18/the-future-embedding-data-in-the-everyday/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
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<entry>
<title>Visualizar&#39;09 Kick-Off: Discussing Public Data, Data in Public</title>
<link href="/graphic-design/visualizar09-kick-off-discussing-public-data-data-in-public/14015690340540697416-4cf8d50d7eacb4b50de86edfe02d4b7f/"/>
<id>urn:com:businessweek:bx:article:14015690340540697416-4cf8d50d7eacb4b50de86edfe02d4b7f</id>
<updated>2009-11-23T04:52:15.088-05:00</updated>
<summary>The 3rd version of Visualizar started yesterday at the Medialab-Prado in Madrid. The 2-week workshop annex seminar is directed by José Luis de Vicente and counts with a team of well known tutors, which this year includes Ben Cerveny, Aaron Koblin,...</summary>
<content type="html">The 3rd version of Visualizar started yesterday at the Medialab-Prado in Madrid. The 2-week workshop annex seminar is directed by José Luis de Vicente and counts with a team of well known tutors, which this year includes Ben Cerveny, Aaron Koblin,...</content>
<source>
<title>infosthetics.com</title>
</source>
<bx:external-link>http://infosthetics.com/archives/2009/11/visualizar09_discussing_public_data_data_in_public.html</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
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<entry>
<title>information aesthetics - Information Visualization &amp; Visual Communication</title>
<link href="/graphic-design/information-aesthetics---information-visualization--visual-communication/5603019096245220510-a441acd0a9ab50c3778ec600e3cbb12e/"/>
<id>urn:com:businessweek:bx:article:5603019096245220510-a441acd0a9ab50c3778ec600e3cbb12e</id>
<updated>2009-11-23T04:54:13.800-05:00</updated>
<summary>Inspired by Lev Manovich&#39;s definition of &quot;information aesthetics&quot;, this weblog explores the symbiotic relationship between creative design and the field of information visualization. More specifically, it collects projects that represent data or information in original or intriguing ways. Since its conception in December 2004, several other terms have been introduced within the academic world for similar phenomena, ranging from &#39;Information Aesthetic Visualization&#39; (PDF) over &#39;Casual Information Visualization&#39; (PDF) to &#39;Artistic Data Visualization&#39; (PDF).</summary>
<content type="html">Inspired by Lev Manovich&#39;s definition of &quot;information aesthetics&quot;, this weblog explores the symbiotic relationship between creative design and the field of information visualization. More specifically, it collects projects that represent data or information in original or intriguing ways. Since its conception in December 2004, several other terms have been introduced within the academic world for similar phenomena, ranging from &#39;Information Aesthetic Visualization&#39; (PDF) over &#39;Casual Information Visualization&#39; (PDF) to &#39;Artistic Data Visualization&#39; (PDF).</content>
<source>
<title>Netvouz - new bookmarks</title>
</source>
<bx:external-link>http://infosthetics.com/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
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<entry>
<title>Visualizar&#39;09: Second Day of Seminars</title>
<link href="/graphic-design/visualizar09-second-day-of-seminars/6975526060704123245-ff1d57af6fe33948947843d9ea1c9f34/"/>
<id>urn:com:businessweek:bx:article:6975526060704123245-ff1d57af6fe33948947843d9ea1c9f34</id>
<updated>2009-11-23T04:53:04.475-05:00</updated>
<summary>Friday, November 14, was the 2nd day of seminar at Visualizar&#39;09. See our previous post about its Kick-Off. Xavier Alonso presented data404, a collection of sources of public information. In the following talk, Jan-Christoph Zoels discussed on how...</summary>
<content type="html">Friday, November 14, was the 2nd day of seminar at Visualizar&#39;09. See our previous post about its Kick-Off. Xavier Alonso presented data404, a collection of sources of public information. In the following talk, Jan-Christoph Zoels discussed on how...</content>
<source>
<title>infosthetics.com</title>
</source>
<bx:external-link>http://infosthetics.com/archives/2009/11/visualizar09_second_day_of_seminar.html</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
</bx:adder>
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</entry>
<entry>
<title>Visualizing Howl: Natural Language Visualization</title>
<link href="/graphic-design/visualizing-howl-natural-language-visualization/10798403309037745842-bac8c4c391ca73c513eb290f0b49e040/"/>
<id>urn:com:businessweek:bx:article:10798403309037745842-bac8c4c391ca73c513eb290f0b49e040</id>
<updated>2009-11-21T20:48:45.403-05:00</updated>
<summary>Below is a series of images from a visualizattion of Allen Ginsberg’s poem “Howl”. The project is a visualization of the use of letters and words in the poem.</summary>
<content type="html">Below is a series of images from a visualizattion of Allen Ginsberg’s poem “Howl”. The project is a visualization of the use of letters and words in the poem.</content>
<source>
<title>simplecomplexity.net</title>
</source>
<bx:external-link>http://simplecomplexity.net/visualizing-howl-natural-language-visualization/</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
</bx:adder>
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</entry>
<entry>
<title>50 Books/50 Covers of 2008 — AIGA | the professional association for design</title>
<link href="/graphic-design/50-books50-covers-of-2008--aiga--the-professional-association-for-design/15888048959213157827-0cad169ffbce7a48e8671d813856d5dc/"/>
<id>urn:com:businessweek:bx:article:15888048959213157827-0cad169ffbce7a48e8671d813856d5dc</id>
<updated>2009-11-21T19:55:19.129-05:00</updated>
<summary>Exhibition design: Experiments in Architecture and Research Since 1923, AIGA’s “50 Books/50 Covers” competition has recognized excellence in book design and production. This exhibition showcases selections from the “AIGA 50 Books/50 Covers of 2008” competition, which aims to identify the best-designed books and book covers published in 2008.</summary>
<content type="html">Exhibition design: Experiments in Architecture and Research Since 1923, AIGA’s “50 Books/50 Covers” competition has recognized excellence in book design and production. This exhibition showcases selections from the “AIGA 50 Books/50 Covers of 2008” competition, which aims to identify the best-designed books and book covers published in 2008.</content>
<source>
<title>AIGA Design Forum: Home</title>
</source>
<bx:external-link>http://www.aiga.org/content.cfm/exhibit-fifty-fifty-2008</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
</bx:adder>
<bx:action>
<bx:total>0</bx:total>
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</entry>
<entry>
<title>Business Perspectives for Creative Leaders — AIGA</title>
<link href="/graphic-design/business-perspectives-for-creative-leaders--aiga/8358680473972285421-46f70e103020372a905d69d0a852aea0/"/>
<id>urn:com:businessweek:bx:article:8358680473972285421-46f70e103020372a905d69d0a852aea0</id>
<updated>2009-11-21T19:51:36.893-05:00</updated>
<summary>Business Perspectives for Creative Leaders July 25–30, 2010 Presented by AIGA and Yale School of Management What happens when the world’s creative leaders come together with Yale’s most influential business experts? After five successful years at...</summary>
<content type="html">Business Perspectives for Creative Leaders July 25–30, 2010 Presented by AIGA and Yale School of Management What happens when the world’s creative leaders come together with Yale’s most influential business experts? After five successful years at...</content>
<source>
<title>aiga.org</title>
</source>
<bx:external-link>http://www.aiga.org/content.cfm/business-perspectives</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
</bx:adder>
<bx:action>
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</entry>
<entry>
<title>Visual Methods of Communicating Structure, Relationship, and Flow</title>
<link href="/graphic-design/visual-methods-of-communicating-structure-relationship-and-flow/8396670398813599883-1f9f4f87dee85d62aa65bc95b3b0b944/"/>
<id>urn:com:businessweek:bx:article:8396670398813599883-1f9f4f87dee85d62aa65bc95b3b0b944</id>
<updated>2009-11-20T02:29:55.683-05:00</updated>
<summary>Many of us are more comfortable communicating in words than in pictures. For example, user assistance writers are by nature and training writers, so they understand words and are adept at using word processing and publishing tools. Writers use lexicentric tools not only for creating and delivering content, but also as cognitive tools—that is, tools that help them think more clearly and efficiently. Thus, a user assistance writer might create a user-task matrix or take advantage of a word processor’s outline view when creating or evaluating a document’s structure. However, we could also use a number of visual techniques and tools—not only for generating content, but also as cognitive and analysis tools. Unfortunately, these visual methods and their respective tools do not get much attention, and many writers don’t use them with the same comfort level they do tools that let them manipulate words.</summary>
<content type="html">Many of us are more comfortable communicating in words than in pictures. For example, user assistance writers are by nature and training writers, so they understand words and are adept at using word processing and publishing tools. Writers use lexicentric tools not only for creating and delivering content, but also as cognitive tools—that is, tools that help them think more clearly and efficiently. Thus, a user assistance writer might create a user-task matrix or take advantage of a word processor’s outline view when creating or evaluating a document’s structure. However, we could also use a number of visual techniques and tools—not only for generating content, but also as cognitive and analysis tools. Unfortunately, these visual methods and their respective tools do not get much attention, and many writers don’t use them with the same comfort level they do tools that let them manipulate words.</content>
<source>
<title>UXmatters</title>
</source>
<bx:external-link>http://new.uxmatters.com/mt/archives/2009/11/visual-methods-of-communicating-structure-relationship-and-flow.php</bx:external-link>
<bx:adder>
<bx:fullname>Itamar Medeiros</bx:fullname>
<bx:id>imedeiros325</bx:id>
<bx:link href="http://bx.businessweek.com/profile/itamar-medeiros/imedeiros325/"/>
</bx:adder>
<bx:action>
<bx:total>1</bx:total>
<bx:view>1</bx:view>
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</entry>
<entry>
<title>Your Very Own &quot;favicon generator&quot;</title>
<link href="/graphic-design/your-very-own-favicon-generator/9530853373405258353-d7b320b8bcc1b06036d2eada25848bed/"/>
<id>urn:com:businessweek:bx:article:9530853373405258353-d7b320b8bcc1b06036d2eada25848bed</id>
<updated>2009-11-16T18:30:33.614-05:00</updated>
<summary>LinuxTuts bringing You Your Very Own &quot;favicon generator&quot;( For &quot;FREE&quot; as always at LinuxTuts )
</summary>
<content type="html">LinuxTuts bringing You Your Very Own &quot;favicon generator&quot;( For &quot;FREE&quot; as always at LinuxTuts )
</content>
<source>
<title>linuxtuts.net</title>
</source>
<bx:external-link>http://www.linuxtuts.net/favicon/</bx:external-link>
<bx:adder>
<bx:fullname>Brian Wallace</bx:fullname>
<bx:id>bwallace033</bx:id>
<bx:link href="http://bx.businessweek.com/profile/brian-wallace/bwallace033/"/>
</bx:adder>
<bx:action>
<bx:total>0</bx:total>
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</entry>
<entry>
<title>What Sexuality Taught Us About Branding (and Why Being Average Sucks) | Defying Gravity and Rising Above the Noise</title>
<link href="/graphic-design/what-sexuality-taught-us-about-branding-and-why-being-average-sucks--defying-gravity-and-rising-above-the-noise/14461163393271449587-60c3e7c15b7d8498a4b1a4102939d514/"/>
<id>urn:com:businessweek:bx:article:14461163393271449587-60c3e7c15b7d8498a4b1a4102939d514</id>
<updated>2009-11-04T14:32:37.483-05:00</updated>
<summary>From my Fast Company blog, here&#39;s the question: Possibly, one of our first experiences with branding
occurred around the time we became aware of our sexuality when growing up. What&#39;s this got do with branding? Maybe everything?</summary>
<content type="html">From my Fast Company blog, here&#39;s the question: Possibly, one of our first experiences with branding
occurred around the time we became aware of our sexuality when growing up. What&#39;s this got do with branding? Maybe everything?</content>
<source>
<title>fastcompany.com</title>
</source>
<bx:external-link>http://www.fastcompany.com/blog/david-brier/defying-gravity-and-rising-above-noise/what-sexuality-taught-us-about-branding-and-</bx:external-link>
<bx:adder>
<bx:fullname>David Brier</bx:fullname>
<bx:id>dbrier472</bx:id>
<bx:link href="http://bx.businessweek.com/profile/david-brier/dbrier472/"/>
</bx:adder>
<bx:action>
<bx:total>7</bx:total>
<bx:view>7</bx:view>
<bx:save>0</bx:save>
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</entry>
<entry>
<title>Psychology of Color: what is it saying about your brand?</title>
<link href="/graphic-design/psychology-of-color-what-is-it-saying-about-your-brand/3711750186006924102-57a3cfe79105baecca4e1782ca24ec31/"/>
<id>urn:com:businessweek:bx:article:3711750186006924102-57a3cfe79105baecca4e1782ca24ec31</id>
<updated>2009-10-26T10:33:53.221-04:00</updated>
<summary>Color—a difference of a few shades can stimulate, depress, provoke, soothe, and even make us shiver or sweat.
In fact, according to a study at Washington State University, people who are surrounded by the color green can endure more pain, and recover more quickly from surgery using fewer drugs.</summary>
<content type="html">Color—a difference of a few shades can stimulate, depress, provoke, soothe, and even make us shiver or sweat.
In fact, according to a study at Washington State University, people who are surrounded by the color green can endure more pain, and recover more quickly from surgery using fewer drugs.</content>
<source>
<title>peakbiety.com</title>
</source>
<bx:external-link>http://peakbiety.com/blog/good-reading/psychology-of-color</bx:external-link>
<bx:adder>
<bx:fullname>Kathryn Clark</bx:fullname>
<bx:id>kclark777</bx:id>
<bx:link href="http://bx.businessweek.com/profile/kathryn-clark/kclark777/"/>
</bx:adder>
<bx:action>
<bx:total>22</bx:total>
<bx:view>22</bx:view>
<bx:save>0</bx:save>
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</entry>
<entry>
<title>What Defies Gravity to You?</title>
<link href="/graphic-design/what-defies-gravity-to-you/10197202621795644743-3584b3c5a00590cc302398006773b1f3/"/>
<id>urn:com:businessweek:bx:article:10197202621795644743-3584b3c5a00590cc302398006773b1f3</id>
<updated>2009-11-05T06:52:44.669-05:00</updated>
<summary>The book &quot;Defying Gravity &amp; Rising Above the Noise&quot; is a remarkable business/marketing/design book, like gaining access to the swipe files of the world&#39;s best agencies. But we wanted to know from readers and marketers: &quot;Things that defy gravity&quot; in written(preferably visual form, doodles, etc.) to become a blog feature and more...</summary>
<content type="html">The book &quot;Defying Gravity &amp; Rising Above the Noise&quot; is a remarkable business/marketing/design book, like gaining access to the swipe files of the world&#39;s best agencies. But we wanted to know from readers and marketers: &quot;Things that defy gravity&quot; in written(preferably visual form, doodles, etc.) to become a blog feature and more...</content>
<source>
<title>risingabovethenoise.com</title>
</source>
<bx:external-link>http://www.risingabovethenoise.com/thebook/</bx:external-link>
<bx:adder>
<bx:fullname>David Brier</bx:fullname>
<bx:id>dbrier472</bx:id>
<bx:link href="http://bx.businessweek.com/profile/david-brier/dbrier472/"/>
</bx:adder>
<bx:action>
<bx:total>3</bx:total>
<bx:view>3</bx:view>
<bx:save>0</bx:save>
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</entry>
<entry>
<title>Google’s fade-in homepage confuses</title>
<link href="/graphic-design/googles-fade-in-homepage-confuses/15492887948347828988-51573d2dc631fd38dbb65ac713d40b07/"/>
<id>urn:com:businessweek:bx:article:15492887948347828988-51573d2dc631fd38dbb65ac713d40b07</id>
<updated>2009-10-31T13:11:04.514-04:00</updated>
<summary>The search giant has always been a fan of minimalist design, but its latest trick – a google.com that loads with simply a white page. That&#39;s it.</summary>
<content type="html">The search giant has always been a fan of minimalist design, but its latest trick – a google.com that loads with simply a white page. That&#39;s it.</content>
<source>
<title>features.csmonitor.com</title>
</source>
<bx:external-link>http://features.csmonitor.com/innovation/2009/10/30/googles-fade-in-homepage-confuses/</bx:external-link>
<bx:adder>
<bx:fullname>Thomas Huynh</bx:fullname>
<bx:id>thuynh381</bx:id>
<bx:link href="http://bx.businessweek.com/profile/thomas-huynh/thuynh381/"/>
</bx:adder>
<bx:action>
<bx:total>4</bx:total>
<bx:view>2</bx:view>
<bx:save>0</bx:save>
<bx:reaction>2</bx:reaction>
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</entry>
<entry>
<title>Some Great Notes from Last Week&#39;s Seminar</title>
<link href="/graphic-design/some-great-notes-from-last-weeks-seminar/3291799019130440304-df3fb6475a8c6c0eb561f0bd955cb5fe/"/>
<id>urn:com:businessweek:bx:article:3291799019130440304-df3fb6475a8c6c0eb561f0bd955cb5fe</id>
<updated>2009-11-02T23:13:36.756-05:00</updated>
<summary>Blogger Bob McClain took some great notes from last week&#39;s seminar which I thought some of you might find of interest... Key point: Cliches are killing your business.</summary>
<content type="html">Blogger Bob McClain took some great notes from last week&#39;s seminar which I thought some of you might find of interest... Key point: Cliches are killing your business.</content>
<source>
<title>wordsmithbob.com</title>
</source>
<bx:external-link>http://wordsmithbob.com/blog/1249/saw-david-brier-branding-seminar-last-night/#comments</bx:external-link>
<bx:adder>
<bx:fullname>David Brier</bx:fullname>
<bx:id>dbrier472</bx:id>
<bx:link href="http://bx.businessweek.com/profile/david-brier/dbrier472/"/>
</bx:adder>
<bx:action>
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</feed>