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<title>Industrial Design - Business Exchange</title>
<subtitle>Most Active Articles</subtitle>
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<updated>2013-05-18T01:14:14.877-04:00</updated>
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<entry>
<title>Beth Dary &amp; Sarah Lutz, Artists — The Interplay Installation</title>
<link href="http://bx.businessweek.com/industrial-design/beth-dary--sarah-lutz-artists--the-interplay-installation/1743206226761536226-ca13c75a0824706b5fab104c53d77c5a/"/>
<id>urn:com:businessweek:bx:article:1743206226761536226-ca13c75a0824706b5fab104c53d77c5a</id>
<updated>2013-05-15T19:20:22.062-04:00</updated>
<summary>Beth Dary Sarah Lutz Nice Niche Feature Clockwise from top left: Equilibrium, (detail), glass, 2008/12 by Beth Dary; Shoal, (detail), 24 x 20 inches, oil on panel, 2009-11 by Sarah Lutz; Artsits, Sarah Lutz (left) and Beth Dary; Panorama of Interplay Installation by Beth Dary &amp; Sarah Lutz; Surface Tensions, (detail), 20” x 17”, egg tempera and wax on paper, 2007/13, by Beth Dary; Emersion, (detail) 30’ x 10’ x 4” inches, porcelain, 2010/13 by Beth Dary; Center Top: Surge Series drawing by Beth Dary &amp; Sarah Lutz Center Bottom: Coyaba, 16 x 12 inches, oil on panel, 2012, by Sarah Lutz The Interplay Installation was at Miranda Arts Project Space (Port Chester, NY) and ran from November 2012-January 2013. Beth Dary and Sarah Lutz collaborated on a dynamic gallery installation that highlights the natural environment and compelling history of Port Chester. Throughout the residency, they documented their ideas and progress in an ongoing blog. The artists mapped the Bryam River on the gallery walls, a poetic interpretation of the water&#39;s journey and the water levels across a hundred years of time. Both artists have a deep affinity with nature originating from their lives spent on the water both in New York City and Cape Cod. This common ground informs the distinct, yet related vocabularies found in their work and provides them with a mutual language to articulate the discoveries that are bound to manifest as they work side-by-side. Dary and Lutz are intrigued by the notion of a collaborative residency— not merely a shared space but a truly collaborative, creative process where each is responding to their own last mark as well to each others&#39;, ultimately creating a call &amp; response dynamic much like a jazz ensemble. bethdary.com sarah-lutz.com After the Storm, Rethinking a Riverscape via New York Times Enhanced by Zemanta</summary>
<content type="html">Beth Dary Sarah Lutz Nice Niche Feature Clockwise from top left: Equilibrium, (detail), glass, 2008/12 by Beth Dary; Shoal, (detail), 24 x 20 inches, oil on panel, 2009-11 by Sarah Lutz; Artsits, Sarah Lutz (left) and Beth Dary; Panorama of Interplay Installation by Beth Dary &amp; Sarah Lutz; Surface Tensions, (detail), 20” x 17”, egg tempera and wax on paper, 2007/13, by Beth Dary; Emersion, (detail) 30’ x 10’ x 4” inches, porcelain, 2010/13 by Beth Dary; Center Top: Surge Series drawing by Beth Dary &amp; Sarah Lutz Center Bottom: Coyaba, 16 x 12 inches, oil on panel, 2012, by Sarah Lutz The Interplay Installation was at Miranda Arts Project Space (Port Chester, NY) and ran from November 2012-January 2013. Beth Dary and Sarah Lutz collaborated on a dynamic gallery installation that highlights the natural environment and compelling history of Port Chester. Throughout the residency, they documented their ideas and progress in an ongoing blog. The artists mapped the Bryam River on the gallery walls, a poetic interpretation of the water&#39;s journey and the water levels across a hundred years of time. Both artists have a deep affinity with nature originating from their lives spent on the water both in New York City and Cape Cod. This common ground informs the distinct, yet related vocabularies found in their work and provides them with a mutual language to articulate the discoveries that are bound to manifest as they work side-by-side. Dary and Lutz are intrigued by the notion of a collaborative residency— not merely a shared space but a truly collaborative, creative process where each is responding to their own last mark as well to each others&#39;, ultimately creating a call &amp; response dynamic much like a jazz ensemble. bethdary.com sarah-lutz.com After the Storm, Rethinking a Riverscape via New York Times Enhanced by Zemanta</content>
<source>
<title>theniceniche.com</title>
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<bx:external-link>http://theniceniche.com/beth-dary-sarah-lutz-artists-the-interplay-installation/</bx:external-link>
<bx:adder>
<bx:fullname>Ryan Salinetti</bx:fullname>
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<entry>
<title>Review: Cuisinart SS700 Single Serve Coffee K-Cup Brewing System</title>
<link href="http://bx.businessweek.com/industrial-design/review-cuisinart-ss700-single-serve-coffee-k-cup-brewing-system/8901244427794834853-14c78fe344024563a4903c6a705cbecb/"/>
<id>urn:com:businessweek:bx:article:8901244427794834853-14c78fe344024563a4903c6a705cbecb</id>
<updated>2010-02-26T08:58:00.000-05:00</updated>
<summary>It also features a very fresh yet angular Cuisinart industrial design, along with a very easy to read blue LCD display.</summary>
<content type="html">It also features a very fresh yet angular Cuisinart industrial design, along with a very easy to read blue LCD display.</content>
<source>
<title>Single Serve Coffee</title>
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<bx:external-link>http://feedproxy.google.com/~r/SingleServeCoffeecom/~3/Nn_kZUUdTFA/031397.php</bx:external-link>
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<entry>
<title>Rail Yard Studios</title>
<link href="http://bx.businessweek.com/industrial-design/rail-yard-studios/13581467756529572794-462a9cfaa5e5d18d095a71c52d891c46/"/>
<id>urn:com:businessweek:bx:article:13581467756529572794-462a9cfaa5e5d18d095a71c52d891c46</id>
<updated>2013-02-27T09:18:06.201-05:00</updated>
<summary>New Today on The Nice Niche, Rail Yard Studios (I&#39;m so excited about this company!!) Rail Yard Studios﻿ http://theniceniche.com/rail-yard-studios/ Amazing Reclamation!! </summary>
<content type="html">New Today on The Nice Niche, Rail Yard Studios (I&#39;m so excited about this company!!) Rail Yard Studios﻿ http://theniceniche.com/rail-yard-studios/ Amazing Reclamation!! </content>
<source>
<title>theniceniche.com</title>
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<bx:fullname>Ryan Salinetti</bx:fullname>
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<entry>
<title>Eco Clip helps keep your desktop clean and our world green.</title>
<link href="http://bx.businessweek.com/industrial-design/eco-clip-helps-keep-your-desktop-clean-and-our-world-green/17260921315419889933-4f0910fce5c2f96ff1ff56c7097dcd6d/"/>
<id>urn:com:businessweek:bx:article:17260921315419889933-4f0910fce5c2f96ff1ff56c7097dcd6d</id>
<updated>2013-02-07T15:23:39.609-05:00</updated>
<summary>With Eco Clip you can easily make your own sketchbook by recycling old drafts and leftover paper. This simple yet innovative solution is a totally new concept for gathering papers into a sketchbook. The product saves on both costs and trees by encouraging users to reuse draft papers in a simple and fun way.</summary>
<content type="html">With Eco Clip you can easily make your own sketchbook by recycling old drafts and leftover paper. This simple yet innovative solution is a totally new concept for gathering papers into a sketchbook. The product saves on both costs and trees by encouraging users to reuse draft papers in a simple and fun way.</content>
<source>
<title>igloodesignshop.com</title>
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<bx:external-link>http://igloodesignshop.com/</bx:external-link>
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<bx:fullname>IGLOO DESIGN STRATEGY</bx:fullname>
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<entry>
<title>Pedro Sousa, Industrial Designer</title>
<link href="http://bx.businessweek.com/industrial-design/pedro-sousa-industrial-designer/384834574666845197-d7dc93da809f946f040eab0160376600/"/>
<id>urn:com:businessweek:bx:article:384834574666845197-d7dc93da809f946f040eab0160376600</id>
<updated>2013-02-13T09:51:42.168-05:00</updated>
<summary>Pedro Sousa Nice Niche FeatureClockwise From Top Left Corner: Feel, 2008, a family of 2 lamps, MDF solid block finished in a translucent color with a high gloss varnish with silk shade and stainless steal lamp base; Pebble, 2012, for Ginger &amp; Jagger; Erosion, 2008, fiberglass filled with expandable polyurethane and finished in a range of lacquered color finishes; Pedro Sousa, Designer and Fig Tree, 2012, for Ginger &amp; Jagger; Império, 2009, a low upholstered with inclined two front wood legs and a singular tubular metal leg on the back. With muti-density polyurethane foam seat; Leaf Mirror, 2012, for Ginger &amp; Jagger; Black Pearl, 2010, aluminium and glass, composed by several pieces welded in four typologies making a dedicated pattern; Causeway, 2012, body in plywood with a solid wood structure, finally iscoated all around with a tri-dimentional pattern of wood veneer; Tornado, 2009, a large cork table made from a cork block which is produced using waste from production of wine bottle stoppers. Finally our most wanted causeway Causeway (featured above) takes, as a point of departure, the good memories of student days, more precisely the year spent in Dublin. Having found peculiar rock formations, Pedro designed this sailboard which forms a three-dimensional pattern, despite the bi-dimensional original pattern, as if it were a illusory game, dense with enigmatic perspectives spread all over. It&#39;s a product that has been stored in his memory for a long time, has been developed and has matured, waiting for the best opportunity to be materialized in the form of a sideboard. This piece as a body in plywood with a solid wood structure, finally the piece is coated all around with a tri-dimentional pattern of wood veneer. The first series is available in three different colors: green, blue, red and finally natural wood, where 2 pieces are prototypes, 2 artist proofs in a series of 8 pieces for each, all numbered and authenticated by designer. The Causeway subject will be continued by creating new products. Pedro Sousa Born in 1976, Pedro Sousa is an industrial designer. His unique furniture collections and limited editions produce a cross-over between design and contemporary art, using different materials, variations of form and volumes, his work allays absolute precision with a radical freedom. Since the beginning he attends art courses and later redirected his studies to design at an industrial Design course. In September, 1998, stars his higher education studies at the Superior School of Arts and Design -ESAD Matosinhos, accomplishes the Erasmus program in NCAD National College of Arts and Design (Dublin). He graduated in design on July, 2002. Thanks to his know-how, he has the ability to work on an eclectic range of collaborations; in April 2005 he’s one of the creators of the Boca do Lobo brand where he was responsible for all of the product design, the Soho collection, Coolors and Limited Edition. He was involved on the corporative image and advertising campaigns. He’s also one of the creators of the SAAL brand in September 2007, being responsible for designing all products from the first collection; he’s also involved on the corporative image and advertising campaigns. In 2009 he started his own design company, Pedro Sousa Studio, through which he executes his own projects as well as projects for several brands. Recently among others He’s collaborating with Ginger &amp; Jagger, designing the first collection Earth to Earth. His work has been featured in many major design publications, books and newspapers worldwide. pedrosousastudio.com Enhanced by Zemanta</summary>
<content type="html">Pedro Sousa Nice Niche FeatureClockwise From Top Left Corner: Feel, 2008, a family of 2 lamps, MDF solid block finished in a translucent color with a high gloss varnish with silk shade and stainless steal lamp base; Pebble, 2012, for Ginger &amp; Jagger; Erosion, 2008, fiberglass filled with expandable polyurethane and finished in a range of lacquered color finishes; Pedro Sousa, Designer and Fig Tree, 2012, for Ginger &amp; Jagger; Império, 2009, a low upholstered with inclined two front wood legs and a singular tubular metal leg on the back. With muti-density polyurethane foam seat; Leaf Mirror, 2012, for Ginger &amp; Jagger; Black Pearl, 2010, aluminium and glass, composed by several pieces welded in four typologies making a dedicated pattern; Causeway, 2012, body in plywood with a solid wood structure, finally iscoated all around with a tri-dimentional pattern of wood veneer; Tornado, 2009, a large cork table made from a cork block which is produced using waste from production of wine bottle stoppers. Finally our most wanted causeway Causeway (featured above) takes, as a point of departure, the good memories of student days, more precisely the year spent in Dublin. Having found peculiar rock formations, Pedro designed this sailboard which forms a three-dimensional pattern, despite the bi-dimensional original pattern, as if it were a illusory game, dense with enigmatic perspectives spread all over. It&#39;s a product that has been stored in his memory for a long time, has been developed and has matured, waiting for the best opportunity to be materialized in the form of a sideboard. This piece as a body in plywood with a solid wood structure, finally the piece is coated all around with a tri-dimentional pattern of wood veneer. The first series is available in three different colors: green, blue, red and finally natural wood, where 2 pieces are prototypes, 2 artist proofs in a series of 8 pieces for each, all numbered and authenticated by designer. The Causeway subject will be continued by creating new products. Pedro Sousa Born in 1976, Pedro Sousa is an industrial designer. His unique furniture collections and limited editions produce a cross-over between design and contemporary art, using different materials, variations of form and volumes, his work allays absolute precision with a radical freedom. Since the beginning he attends art courses and later redirected his studies to design at an industrial Design course. In September, 1998, stars his higher education studies at the Superior School of Arts and Design -ESAD Matosinhos, accomplishes the Erasmus program in NCAD National College of Arts and Design (Dublin). He graduated in design on July, 2002. Thanks to his know-how, he has the ability to work on an eclectic range of collaborations; in April 2005 he’s one of the creators of the Boca do Lobo brand where he was responsible for all of the product design, the Soho collection, Coolors and Limited Edition. He was involved on the corporative image and advertising campaigns. He’s also one of the creators of the SAAL brand in September 2007, being responsible for designing all products from the first collection; he’s also involved on the corporative image and advertising campaigns. In 2009 he started his own design company, Pedro Sousa Studio, through which he executes his own projects as well as projects for several brands. Recently among others He’s collaborating with Ginger &amp; Jagger, designing the first collection Earth to Earth. His work has been featured in many major design publications, books and newspapers worldwide. pedrosousastudio.com Enhanced by Zemanta</content>
<source>
<title>theniceniche.com</title>
</source>
<bx:external-link>http://theniceniche.com/pedro-sousa-industrial-designer/</bx:external-link>
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<bx:fullname>Ryan Salinetti</bx:fullname>
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<entry>
<title>5 Successful Practices For New Grads</title>
<link href="http://bx.businessweek.com/industrial-design/5-successful-practices-for-new-grads/16765788074849803887-1aca2ab9adc7cf867d8b95750cf9e055/"/>
<id>urn:com:businessweek:bx:article:16765788074849803887-1aca2ab9adc7cf867d8b95750cf9e055</id>
<updated>2009-03-28T05:26:19.693-04:00</updated>
<summary>Here are 5 areas in which you can make sure you&#39;ll be prepared professionally. This article won&#39;t guarantee you&#39;ll get a job and become wildly successful but it will help you leverage your way to better opportunities.</summary>
<content type="html">Here are 5 areas in which you can make sure you&#39;ll be prepared professionally. This article won&#39;t guarantee you&#39;ll get a job and become wildly successful but it will help you leverage your way to better opportunities.</content>
<source>
<title>productdesignhub.com</title>
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<bx:adder>
<bx:fullname>Waikit Chung</bx:fullname>
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<entry>
<title>Eden Springs Smile eco-model water dispenser</title>
<link href="http://bx.businessweek.com/industrial-design/eden-springs-smile-eco-model-water-dispenser/8057831835771965271-0bbc0f2208d9e93b262da134dc3aa8ce/"/>
<id>urn:com:businessweek:bx:article:8057831835771965271-0bbc0f2208d9e93b262da134dc3aa8ce</id>
<updated>2013-02-07T15:14:47.870-05:00</updated>
<summary>Called Smile, Eden&#39;s new water cooler has been designed to be the most user and environmentally friendly system on the market. Sleek and stylish looking, the new model uses 30 per cent less energy than traditional coolers and features cold and hot settings. Smile incorporates an LCD display system, built-in cup dispenser and electronic taps positioned at a higher, more convenient height.
Environmental sustainability has been a key focus for Eden Springs in the development of the new cooler. As a result, the Smile range features a programmable weekly clock with three &#39;Eco&#39; options which allows customers to schedule settings to suit their needs at different times throughout the working week. This ensures the cooler is operating in the most efficient way at all times while preserving energy at times when the cooler is not needed
The cooler is flexible when it comes to water feed and can be used as a bottled or point-of-use (POU) system, making it easy for Eden to adapt the new range to suit varying customer needs.
Smile has also been developed to meet the highest standards of safety and hygiene and features removable elements, making it easy to clean, as well as electronic hidden faucets.
The ergonomic and attractive design has been developed to enhance the look of any working environment or even at home.
The launch of the Smile follows a series of acquisitions made by Eden in the water cooler industry including Swiss company Edelvia and Spanish brand, Todagua.</summary>
<content type="html">Called Smile, Eden&#39;s new water cooler has been designed to be the most user and environmentally friendly system on the market. Sleek and stylish looking, the new model uses 30 per cent less energy than traditional coolers and features cold and hot settings. Smile incorporates an LCD display system, built-in cup dispenser and electronic taps positioned at a higher, more convenient height.
Environmental sustainability has been a key focus for Eden Springs in the development of the new cooler. As a result, the Smile range features a programmable weekly clock with three &#39;Eco&#39; options which allows customers to schedule settings to suit their needs at different times throughout the working week. This ensures the cooler is operating in the most efficient way at all times while preserving energy at times when the cooler is not needed
The cooler is flexible when it comes to water feed and can be used as a bottled or point-of-use (POU) system, making it easy for Eden to adapt the new range to suit varying customer needs.
Smile has also been developed to meet the highest standards of safety and hygiene and features removable elements, making it easy to clean, as well as electronic hidden faucets.
The ergonomic and attractive design has been developed to enhance the look of any working environment or even at home.
The launch of the Smile follows a series of acquisitions made by Eden in the water cooler industry including Swiss company Edelvia and Spanish brand, Todagua.</content>
<source>
<title>igloo-design.com</title>
</source>
<bx:external-link>http://www.igloo-design.com/work/smile</bx:external-link>
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<bx:fullname>IGLOO DESIGN STRATEGY</bx:fullname>
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<entry>
<title>Designing Work for Man and Machine to Do Together</title>
<link href="http://bx.businessweek.com/industrial-design/designing-work-for-man-and-machine-to-do-together/8929353642007479995-725777b9fc750aa1c52e007b3ba4fac4/"/>
<id>urn:com:businessweek:bx:article:8929353642007479995-725777b9fc750aa1c52e007b3ba4fac4</id>
<updated>2013-02-15T08:43:02.660-05:00</updated>
<summary>Anyone who has read even one or two science fiction books or watched one or two SciFi movies inevitably finds themselves dreaming of a day when machines will</summary>
<content type="html">Anyone who has read even one or two science fiction books or watched one or two SciFi movies inevitably finds themselves dreaming of a day when machines will</content>
<source>
<title>business2community.com</title>
</source>
<bx:external-link>http://www.business2community.com/strategy/designing-work-for-man-and-machine-to-do-together-0408247</bx:external-link>
<bx:adder>
<bx:fullname>Braden Kelley</bx:fullname>
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<entry>
<title>Nicole Goncalves, The New England Girl</title>
<link href="http://bx.businessweek.com/industrial-design/nicole-goncalves-the-new-england-girl/6552585764812783612-c89f67b7ed59cec715b329c7454be499/"/>
<id>urn:com:businessweek:bx:article:6552585764812783612-c89f67b7ed59cec715b329c7454be499</id>
<updated>2013-03-13T09:56:16.680-04:00</updated>
<summary>The New England Girl Nice Niche Feature My name is Nicole Goncalves and I am the The New England Girl. Not only am I a small business owner, I am a writer and artist. My business specializes in furniture re-purposing &amp; Interior Design, however my website thenewenglandgirl.com encompasses all things “New England”. I enjoy traveling and writing about the local places I visit. I was born and raised here in New England, and we currently live full time in Litchfield County Connecticut. We spend our summers traveling between our Vermont House ( a small cabin built out of 100% reclaimed materials) &amp; Westerly, Rhode Island, with a visit to Maine’s beautiful rocky coast from time to time. As a child, I was taught how to grow a garden, can &amp; bake from scratch. I spent a lot of time with my grandparents where I was shown how to keep up a household, and how to budget / “buy on a dime”. I completely credit my thrifty-ness to my grandmother Marie. As for the re-purposing &amp; wood working both my father &amp; his father John enjoyed building from scratch. I remember as a child my grandfather building my cousin &amp; I all types of wood rocking horses and other types of toys! My family’s heritage is primarily Polish &amp; German so my grandparents listened to a lot of Polka music, however on Saturday mornings we faithfully listened to bluegrass on WWUH Listener Supported Radio from The University of Hartford. This is one ritual that has stayed with me after all these years, and nothing makes me happier than hearing some good ole’ bluegrass banjo. After college I felt a disconnect from the world and had a difficult time putting in hours at a menial job. So I started finding furniture to re-purpose. Eventually one thing turned into another and I created a website and started offering other services such as Interior Design &amp; Organizing. I recently moved my shop to a beautiful barn space in Lakeville, Connecticut. The 1800′s barn sits on 40 acres of rolling lush pasture and looks out onto the Housatonic River and Music Mountain. Ultimately I feel an amazing connection to my community and I am a huge supporter of small and local business. You will typically hear me end my emails &amp; comments with the saying “We Love Local”! It isn’t often that you hear people say that they genuinely LOVE what they do, but I do. However with the support of my family &amp; friends, my husband Vinnie &amp; my amazing community, I have made my dreams possible.— Nicole Goncalves, Furniture Repurposer &amp; Designer The New England Girl 203-826-4317 thenewenglandgirl.com Facebook.com Twitter Enhanced by Zemanta</summary>
<content type="html">The New England Girl Nice Niche Feature My name is Nicole Goncalves and I am the The New England Girl. Not only am I a small business owner, I am a writer and artist. My business specializes in furniture re-purposing &amp; Interior Design, however my website thenewenglandgirl.com encompasses all things “New England”. I enjoy traveling and writing about the local places I visit. I was born and raised here in New England, and we currently live full time in Litchfield County Connecticut. We spend our summers traveling between our Vermont House ( a small cabin built out of 100% reclaimed materials) &amp; Westerly, Rhode Island, with a visit to Maine’s beautiful rocky coast from time to time. As a child, I was taught how to grow a garden, can &amp; bake from scratch. I spent a lot of time with my grandparents where I was shown how to keep up a household, and how to budget / “buy on a dime”. I completely credit my thrifty-ness to my grandmother Marie. As for the re-purposing &amp; wood working both my father &amp; his father John enjoyed building from scratch. I remember as a child my grandfather building my cousin &amp; I all types of wood rocking horses and other types of toys! My family’s heritage is primarily Polish &amp; German so my grandparents listened to a lot of Polka music, however on Saturday mornings we faithfully listened to bluegrass on WWUH Listener Supported Radio from The University of Hartford. This is one ritual that has stayed with me after all these years, and nothing makes me happier than hearing some good ole’ bluegrass banjo. After college I felt a disconnect from the world and had a difficult time putting in hours at a menial job. So I started finding furniture to re-purpose. Eventually one thing turned into another and I created a website and started offering other services such as Interior Design &amp; Organizing. I recently moved my shop to a beautiful barn space in Lakeville, Connecticut. The 1800′s barn sits on 40 acres of rolling lush pasture and looks out onto the Housatonic River and Music Mountain. Ultimately I feel an amazing connection to my community and I am a huge supporter of small and local business. You will typically hear me end my emails &amp; comments with the saying “We Love Local”! It isn’t often that you hear people say that they genuinely LOVE what they do, but I do. However with the support of my family &amp; friends, my husband Vinnie &amp; my amazing community, I have made my dreams possible.— Nicole Goncalves, Furniture Repurposer &amp; Designer The New England Girl 203-826-4317 thenewenglandgirl.com Facebook.com Twitter Enhanced by Zemanta</content>
<source>
<title>theniceniche.com</title>
</source>
<bx:external-link>http://theniceniche.com/nicole-goncalves-the-new-england-girl/</bx:external-link>
<bx:adder>
<bx:fullname>Ryan Salinetti</bx:fullname>
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<bx:link href="http://bx.businessweek.com/profile/ryan-salinetti/rsalinetti292/"/>
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<entry>
<title>Andrea Mihalik, Wild Chairy</title>
<link href="http://bx.businessweek.com/industrial-design/andrea-mihalik-wild-chairy/3861491265447043498-131a280a7779b89ee42d883cd298add2/"/>
<id>urn:com:businessweek:bx:article:3861491265447043498-131a280a7779b89ee42d883cd298add2</id>
<updated>2013-03-20T10:43:03.719-04:00</updated>
<summary>Wild Chairy Nice Niche Feature Resident artist and owner of Wild Chairy Studio, Andrea Mihalik’s handcrafted chairs combine the nostalgia of old world stateliness with the bold whimsy of contemporary upholsteries, resulting in unexpected and unique home furnishings. Wild Chairy creates one-of-a-kind pieces of functional art using old world techniques and only the finest materials that are earth friendly. Each piece is done by hand using coil springs, horsehair, Italian twine and organic cotton to breathe new life into these recycled vintage treasures. Andrea&#39;s adept use of organic and green materials has allowed her creations to be described as wild and funky and delightful examples of stylish, conscientious, sustainable decor. A graduate of Tyler School of Art and former award-winning photojournalist for the Philadelphia Daily News, Andrea traveled the globe for 12 years photographing everything from popes to presidents. Her natural instincts for visual composition, artistic color combinations and world travels inform the details of every chair she creates. Andrea Mihalik Wild Chairy Haddonfield, New Jersey wildchairy.com Enhanced by Zemanta</summary>
<content type="html">Wild Chairy Nice Niche Feature Resident artist and owner of Wild Chairy Studio, Andrea Mihalik’s handcrafted chairs combine the nostalgia of old world stateliness with the bold whimsy of contemporary upholsteries, resulting in unexpected and unique home furnishings. Wild Chairy creates one-of-a-kind pieces of functional art using old world techniques and only the finest materials that are earth friendly. Each piece is done by hand using coil springs, horsehair, Italian twine and organic cotton to breathe new life into these recycled vintage treasures. Andrea&#39;s adept use of organic and green materials has allowed her creations to be described as wild and funky and delightful examples of stylish, conscientious, sustainable decor. A graduate of Tyler School of Art and former award-winning photojournalist for the Philadelphia Daily News, Andrea traveled the globe for 12 years photographing everything from popes to presidents. Her natural instincts for visual composition, artistic color combinations and world travels inform the details of every chair she creates. Andrea Mihalik Wild Chairy Haddonfield, New Jersey wildchairy.com Enhanced by Zemanta</content>
<source>
<title>theniceniche.com</title>
</source>
<bx:external-link>http://theniceniche.com/andrea-mihalik-wild-chairy/</bx:external-link>
<bx:adder>
<bx:fullname>Ryan Salinetti</bx:fullname>
<bx:id>rsalinetti292</bx:id>
<bx:link href="http://bx.businessweek.com/profile/ryan-salinetti/rsalinetti292/"/>
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<bx:action>
<bx:total>3</bx:total>
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<entry>
<title>What A Designer Should Know When Buying A Desktop PC Or Laptop</title>
<link href="http://bx.businessweek.com/industrial-design/what-a-designer-should-know-when-buying-a-desktop-pc-or-laptop/15088015479982411205-0757f6618474604677fe7cf036520cb9/"/>
<id>urn:com:businessweek:bx:article:15088015479982411205-0757f6618474604677fe7cf036520cb9</id>
<updated>2009-03-18T01:12:44.063-04:00</updated>
<summary>There are a few things you should know about specifications that influence the performance of your 2D graphic or 3D CAD software. For most designers it is important that they can create and manipulate graphics or 3D model renderings as fast as possible.</summary>
<content type="html">There are a few things you should know about specifications that influence the performance of your 2D graphic or 3D CAD software. For most designers it is important that they can create and manipulate graphics or 3D model renderings as fast as possible.</content>
<source>
<title>productdesignhub.com</title>
</source>
<bx:external-link>http://www.productdesignhub.com/articles/31-product-design-forums-picks/26-what-a-designer-should-know-when-buying-a-desktop-pc-or-laptop</bx:external-link>
<bx:adder>
<bx:fullname>Waikit Chung</bx:fullname>
<bx:id>wchung180</bx:id>
<bx:link href="http://bx.businessweek.com/profile/waikit-chung/wchung180/"/>
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<bx:total>355</bx:total>
<bx:view>352</bx:view>
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</entry>
<entry>
<title>Solitary Genius to Holistic Design by Patrick Le Quément, Renault Design Creator</title>
<link href="http://bx.businessweek.com/industrial-design/solitary-genius-to-holistic-design-by-patrick-le-qument-renault-design-creator/16348354059887111160-d22a8ab66d6377144d916276a839806b/"/>
<id>urn:com:businessweek:bx:article:16348354059887111160-d22a8ab66d6377144d916276a839806b</id>
<updated>2012-08-29T12:24:08.030-04:00</updated>
<summary>A story about evolution of design over time: how it impacts the role of design manager, as innovation becomes a collective adventure.</summary>
<content type="html">A story about evolution of design over time: how it impacts the role of design manager, as innovation becomes a collective adventure.</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2012/08/19/solitary-genius-to-holistic-design-by-patrick-le-quement-renault-design-creator/</bx:external-link>
<bx:adder>
<bx:fullname>Dru Sturgess</bx:fullname>
<bx:id>dsturgess259</bx:id>
<bx:link href="http://bx.businessweek.com/profile/dru-sturgess/dsturgess259/"/>
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<bx:total>17</bx:total>
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</entry>
<entry>
<title>INFOGRAPHIC: Challenges in Innovation Decision-Making</title>
<link href="http://bx.businessweek.com/industrial-design/infographic-challenges-in-innovation-decision-making/7534090772551176837-d284bcd5367496d362bdfccc744901e0/"/>
<id>urn:com:businessweek:bx:article:7534090772551176837-d284bcd5367496d362bdfccc744901e0</id>
<updated>2012-09-10T10:17:21.071-04:00</updated>
<summary>A snapshot of the challenges innovation practioners face in connecting with the content, experts and insights they need in order to innovate.</summary>
<content type="html">A snapshot of the challenges innovation practioners face in connecting with the content, experts and insights they need in order to innovate.</content>
<source>
<title>inventionmachine.com</title>
</source>
<bx:external-link>http://inventionmachine.com/the-Invention-Machine-Blog/bid/90386/INFOGRAPHIC-Challenges-in-Innovation-Decision-Making</bx:external-link>
<bx:adder>
<bx:fullname>Rebecca Henry</bx:fullname>
<bx:id>rhenry288</bx:id>
<bx:link href="http://bx.businessweek.com/profile/rebecca-henry/rhenry288/"/>
</bx:adder>
<bx:action>
<bx:total>18</bx:total>
<bx:view>18</bx:view>
<bx:save>0</bx:save>
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</entry>
<entry>
<title>Leading Creative Units to Success by Patrick Le Quement, Renault Design creator</title>
<link href="http://bx.businessweek.com/industrial-design/leading-creative-units-to-success-by-patrick-le-quement-renault-design-creator/9813752683855972792-286deb3f88fce626b86b8aae085cf40f/"/>
<id>urn:com:businessweek:bx:article:9813752683855972792-286deb3f88fce626b86b8aae085cf40f</id>
<updated>2012-09-05T16:35:03.923-04:00</updated>
<summary>Patrick Le Quement is at the origin of Renault Design satellites, creative units spread over the world. He comes back to this adventure, and shares some personal experiences about assembling, managing, and moving creative units forward, in his own genuine style. It&#39;s like a story: let&#39;s sit quietly and listen to this great leadership gift!</summary>
<content type="html">Patrick Le Quement is at the origin of Renault Design satellites, creative units spread over the world. He comes back to this adventure, and shares some personal experiences about assembling, managing, and moving creative units forward, in his own genuine style. It&#39;s like a story: let&#39;s sit quietly and listen to this great leadership gift!</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2012/08/28/leading-creative-units-to-success-by-patrick-le-quement-renault-design-creator/</bx:external-link>
<bx:adder>
<bx:fullname>Dru Sturgess</bx:fullname>
<bx:id>dsturgess259</bx:id>
<bx:link href="http://bx.businessweek.com/profile/dru-sturgess/dsturgess259/"/>
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<entry>
<title>Accelerate the Identification of Standards Critical to Product Design</title>
<link href="http://bx.businessweek.com/industrial-design/accelerate-the-identification-of-standards-critical-to-product-design/14851668476730209562-fd1c2edb4e5ae2b8a6430a040f0c82ec/"/>
<id>urn:com:businessweek:bx:article:14851668476730209562-fd1c2edb4e5ae2b8a6430a040f0c82ec</id>
<updated>2012-11-16T10:12:06.059-05:00</updated>
<summary>Standards help engineers ensure quality, reliability and safety, but finding the right, most useful standards can be a challenge. Until now.</summary>
<content type="html">Standards help engineers ensure quality, reliability and safety, but finding the right, most useful standards can be a challenge. Until now.</content>
<source>
<title>inventionmachine.com</title>
</source>
<bx:external-link>http://inventionmachine.com/the-Invention-Machine-Blog/bid/92624/accelerate-the-identification-of-standards-critical-to-product-design</bx:external-link>
<bx:adder>
<bx:fullname>Allison Lewis</bx:fullname>
<bx:id>alewis810</bx:id>
<bx:link href="http://bx.businessweek.com/profile/allison-lewis/alewis810/"/>
</bx:adder>
<bx:action>
<bx:total>1</bx:total>
<bx:view>1</bx:view>
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</entry>
<entry>
<title>Just Say No To &#39;Innovation&#39; | The New Deal</title>
<link href="http://bx.businessweek.com/industrial-design/just-say-no-to-innovation--the-new-deal/15435845460913813760-4181bbef31a46a63a6b151b88d73820f/"/>
<id>urn:com:businessweek:bx:article:15435845460913813760-4181bbef31a46a63a6b151b88d73820f</id>
<updated>2009-03-24T14:37:51.999-04:00</updated>
<summary>Promoted as the &quot;in&quot; word in design circles in recent years, &#39;innovation&#39; has become a mantra devoid of meaning. Glorified by the likes of Bruce Nussbaum of BusinessWeek and David Kelly of IDEO, &quot;innovation&quot; blurs the boundaries between the worlds...</summary>
<content type="html">Promoted as the &quot;in&quot; word in design circles in recent years, &#39;innovation&#39; has become a mantra devoid of meaning. Glorified by the likes of Bruce Nussbaum of BusinessWeek and David Kelly of IDEO, &quot;innovation&quot; blurs the boundaries between the worlds...</content>
<source>
<title>fastcompany.com</title>
</source>
<bx:external-link>http://www.fastcompany.com/blog/gadi-amit/new-deal/just-say-no-innovation</bx:external-link>
<bx:adder>
<bx:fullname>Michael Arndt</bx:fullname>
<bx:id>marndt561</bx:id>
<bx:link href="http://bx.businessweek.com/profile/michael-arndt/marndt561/"/>
</bx:adder>
<bx:action>
<bx:total>219</bx:total>
<bx:view>216</bx:view>
<bx:save>3</bx:save>
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</entry>
<entry>
<title>Turning Waste into Value</title>
<link href="http://bx.businessweek.com/industrial-design/turning-waste-into-value/6776598104532877169-6c1518354f3f082fdcc08a962c4abc93/"/>
<id>urn:com:businessweek:bx:article:6776598104532877169-6c1518354f3f082fdcc08a962c4abc93</id>
<updated>2011-11-02T14:03:58.278-04:00</updated>
<summary>We have known for some time that game-changing business innovations tend to be born the same way. In my book Innovation to the Core, I use the phrase “combinational chemistry” to describe the process of recombining insights, ideas, half-baked notions, competencies, concepts, technologies and assets to produce radical new breakthroughs.</summary>
<content type="html">We have known for some time that game-changing business innovations tend to be born the same way. In my book Innovation to the Core, I use the phrase “combinational chemistry” to describe the process of recombining insights, ideas, half-baked notions, competencies, concepts, technologies and assets to produce radical new breakthroughs.</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2011/11/02/turning-waste-into-value/</bx:external-link>
<bx:adder>
<bx:fullname>Braden Kelley</bx:fullname>
<bx:id>bkelley034</bx:id>
<bx:link href="http://bx.businessweek.com/profile/braden-kelley/bkelley034/"/>
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<bx:action>
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<bx:view>35</bx:view>
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</entry>
<entry>
<title>Four Things I Learned from Steve Jobs</title>
<link href="http://bx.businessweek.com/industrial-design/four-things-i-learned-from-steve-jobs/18424157552602325430-48aa533f695483e9b4affeb7528fc296/"/>
<id>urn:com:businessweek:bx:article:18424157552602325430-48aa533f695483e9b4affeb7528fc296</id>
<updated>2011-10-16T01:09:55.683-04:00</updated>
<summary>To quote the President, Steve Jobs put the internet in our pocket – and with it the gateway to most human knowledge and connectivity in something that costs about the same as a pair of shoes or a good bottle of wine. I think of four things that stay with me and I think will stay with me for the rest of my life as loyal member of the Apple community:</summary>
<content type="html">To quote the President, Steve Jobs put the internet in our pocket – and with it the gateway to most human knowledge and connectivity in something that costs about the same as a pair of shoes or a good bottle of wine. I think of four things that stay with me and I think will stay with me for the rest of my life as loyal member of the Apple community:</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2011/10/14/four-things-i-learned-from-steve-jobs/</bx:external-link>
<bx:adder>
<bx:fullname>Braden Kelley</bx:fullname>
<bx:id>bkelley034</bx:id>
<bx:link href="http://bx.businessweek.com/profile/braden-kelley/bkelley034/"/>
</bx:adder>
<bx:action>
<bx:total>35</bx:total>
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<bx:save>1</bx:save>
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</entry>
<entry>
<title>Measuring the value of knowledge-based product decisions</title>
<link href="http://bx.businessweek.com/industrial-design/measuring-the-value-of-knowledge-based-product-decisions/13382647897113901706-74a8a0a0e74e890ad02413fd8c28489a/"/>
<id>urn:com:businessweek:bx:article:13382647897113901706-74a8a0a0e74e890ad02413fd8c28489a</id>
<updated>2012-12-12T10:37:33.308-05:00</updated>
<summary>New technologies are enabling engineers and R&amp;D to make faster, smarter product decisions - impacting the top and bottom line.</summary>
<content type="html">New technologies are enabling engineers and R&amp;D to make faster, smarter product decisions - impacting the top and bottom line.</content>
<source>
<title>inventionmachine.com</title>
</source>
<bx:external-link>http://inventionmachine.com/the-Invention-Machine-Blog/bid/93039/EXCLUSIVE-WEB-EVENT-Measuring-the-value-of-knowledge-based-product-decisions</bx:external-link>
<bx:adder>
<bx:fullname>Rebecca Henry</bx:fullname>
<bx:id>rhenry288</bx:id>
<bx:link href="http://bx.businessweek.com/profile/rebecca-henry/rhenry288/"/>
</bx:adder>
<bx:action>
<bx:total>8</bx:total>
<bx:view>8</bx:view>
<bx:save>0</bx:save>
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</entry>
<entry>
<title>Knowledge-Enabled Failure Modes and Effects Analysis (FMEA)</title>
<link href="http://bx.businessweek.com/industrial-design/knowledge-enabled-failure-modes-and-effects-analysis-fmea/11886344639438470002-bea69f1d954f31186ff38ae2016885a9/"/>
<id>urn:com:businessweek:bx:article:11886344639438470002-bea69f1d954f31186ff38ae2016885a9</id>
<updated>2012-11-12T10:47:17.168-05:00</updated>
<summary>FMEA is a best-practice methodology for analyzing potential reliability problems early in the product or process development cycle when they are easi</summary>
<content type="html">FMEA is a best-practice methodology for analyzing potential reliability problems early in the product or process development cycle when they are easi</content>
<source>
<title>inventionmachine.com</title>
</source>
<bx:external-link>http://inventionmachine.com/the-Invention-Machine-Blog/bid/92453/Knowledge-Enabled-Failure-Modes-and-Effects-Analysis-FMEA</bx:external-link>
<bx:adder>
<bx:fullname>Rebecca Henry</bx:fullname>
<bx:id>rhenry288</bx:id>
<bx:link href="http://bx.businessweek.com/profile/rebecca-henry/rhenry288/"/>
</bx:adder>
<bx:action>
<bx:total>3</bx:total>
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</entry>
<entry>
<title>Design Thinking Balances the Rational and Emotional</title>
<link href="http://bx.businessweek.com/industrial-design/design-thinking-balances-the-rational-and-emotional/13173852691794357271-036072949cccd4297b20f724c2fb8059/"/>
<id>urn:com:businessweek:bx:article:13173852691794357271-036072949cccd4297b20f724c2fb8059</id>
<updated>2012-08-19T16:35:18.299-04:00</updated>
<summary>What is Design Thinking? Because of the word &#39;design&#39; and many automatically associate it with the craft of design or design as a profession. Actually it is less to do with &#39;design&#39; and more with &#39;system&#39;. There are many ways to define</summary>
<content type="html">What is Design Thinking? Because of the word &#39;design&#39; and many automatically associate it with the craft of design or design as a profession. Actually it is less to do with &#39;design&#39; and more with &#39;system&#39;. There are many ways to define</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2012/08/14/design-thinking-balances-the-rational-and-emotional/</bx:external-link>
<bx:adder>
<bx:fullname>Dru Sturgess</bx:fullname>
<bx:id>dsturgess259</bx:id>
<bx:link href="http://bx.businessweek.com/profile/dru-sturgess/dsturgess259/"/>
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<entry>
<title>Elite Access: Design Insight &amp; Foresight</title>
<link href="http://bx.businessweek.com/industrial-design/elite-access-design-insight--foresight/8895749893448211684-53e7d8d28c24817c4b9a352c1c1869a4/"/>
<id>urn:com:businessweek:bx:article:8895749893448211684-53e7d8d28c24817c4b9a352c1c1869a4</id>
<updated>2012-12-02T15:20:38.493-05:00</updated>
<summary>Thought leaders in the design community are raising the bar and sharing their unfiltered views and behind-the scene stories around problems, opportunities and challenges that businesses face today as they stretch and grow their brands. These elite perspectives are now available through a new Designer Showcase to connect innovators and brand leaders to the best design thinking around the world.</summary>
<content type="html">Thought leaders in the design community are raising the bar and sharing their unfiltered views and behind-the scene stories around problems, opportunities and challenges that businesses face today as they stretch and grow their brands. These elite perspectives are now available through a new Designer Showcase to connect innovators and brand leaders to the best design thinking around the world.</content>
<source>
<title>innovationexcellence.com</title>
</source>
<bx:external-link>http://www.innovationexcellence.com/blog/2012/12/02/elite-access-design-insight-foresight/</bx:external-link>
<bx:adder>
<bx:fullname>Dru Sturgess</bx:fullname>
<bx:id>dsturgess259</bx:id>
<bx:link href="http://bx.businessweek.com/profile/dru-sturgess/dsturgess259/"/>
</bx:adder>
<bx:action>
<bx:total>4</bx:total>
<bx:view>4</bx:view>
<bx:save>0</bx:save>
<bx:reaction>0</bx:reaction>
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</entry>
<entry>
<title>Latest Apple Innovation You Won’t See</title>
<link href="http://bx.businessweek.com/industrial-design/latest-apple-innovation-you-wont-see/16548857354606070964-d53267eb6b2269ef449fd7f1d8d06e69/"/>
<id>urn:com:businessweek:bx:article:16548857354606070964-d53267eb6b2269ef449fd7f1d8d06e69</id>
<updated>2012-06-12T09:46:49.774-04:00</updated>
<summary>Apple announced a new Macbook Pro with a Retina Display and an all flash architecture, but I think its most important design innovation is one you won’t see. The video below gives a good introduction to what they’ve done with the new Macbook Pro from a design perspective, but more importantly it reinforces some things we should all think about when trying to innovate:</summary>
<content type="html">Apple announced a new Macbook Pro with a Retina Display and an all flash architecture, but I think its most important design innovation is one you won’t see. The video below gives a good introduction to what they’ve done with the new Macbook Pro from a design perspective, but more importantly it reinforces some things we should all think about when trying to innovate:</content>
<source>
<title>bradenkelley.com</title>
</source>
<bx:external-link>http://bradenkelley.com/2012/06/latest-apple-innovation-you-wont-see/</bx:external-link>
<bx:adder>
<bx:fullname>Braden Kelley</bx:fullname>
<bx:id>bkelley034</bx:id>
<bx:link href="http://bx.businessweek.com/profile/braden-kelley/bkelley034/"/>
</bx:adder>
<bx:action>
<bx:total>6</bx:total>
<bx:view>6</bx:view>
<bx:save>0</bx:save>
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</entry>
<entry>
<title>How Do You Design?</title>
<link href="http://bx.businessweek.com/industrial-design/how-do-you-design/4199352173304128562-6e924c7dd2b6e9e772bdb28e927ad6f1/"/>
<id>urn:com:businessweek:bx:article:4199352173304128562-6e924c7dd2b6e9e772bdb28e927ad6f1</id>
<updated>2009-04-23T12:27:26.340-04:00</updated>
<summary>&#39;How do you design?&#39; is the title of a 149 page free PDF book written by Hugh Dubberly, who is a design planner and teacher and also running his own design consultancy &#39;Dubberly&#39;.
The book is a great collection of more than 100 descriptions and visualizations of design and development processes, from architecture, industrial design (IDEO&#39;s design process is described), mechanical engineering, quality management and software development.</summary>
<content type="html">&#39;How do you design?&#39; is the title of a 149 page free PDF book written by Hugh Dubberly, who is a design planner and teacher and also running his own design consultancy &#39;Dubberly&#39;.
The book is a great collection of more than 100 descriptions and visualizations of design and development processes, from architecture, industrial design (IDEO&#39;s design process is described), mechanical engineering, quality management and software development.</content>
<source>
<title>productdesignhub.com</title>
</source>
<bx:external-link>http://www.productdesignhub.com/articles/35-design-insights/55-how-do-you-design</bx:external-link>
<bx:adder>
<bx:fullname>Waikit Chung</bx:fullname>
<bx:id>wchung180</bx:id>
<bx:link href="http://bx.businessweek.com/profile/waikit-chung/wchung180/"/>
</bx:adder>
<bx:action>
<bx:total>191</bx:total>
<bx:view>189</bx:view>
<bx:save>2</bx:save>
<bx:reaction>0</bx:reaction>
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</entry>
<entry>
<title>Upheaval Among Designers</title>
<link href="http://bx.businessweek.com/industrial-design/upheaval-among-designers/2997005358602939466-7d240294ec68b920ea777b6957565810/"/>
<id>urn:com:businessweek:bx:article:2997005358602939466-7d240294ec68b920ea777b6957565810</id>
<updated>2009-04-07T23:36:53.258-04:00</updated>
<summary>AT first it seemed like just another prank: Volvo announced Wednesday — April 1 — that Peter Horbury, its design director from 1991 to 2002, would return to the company as vice president for design. But this unusual move was no April Fool’s gag.</summary>
<content type="html">AT first it seemed like just another prank: Volvo announced Wednesday — April 1 — that Peter Horbury, its design director from 1991 to 2002, would return to the company as vice president for design. But this unusual move was no April Fool’s gag.</content>
<source>
<title>New York Times</title>
</source>
<bx:external-link>http://www.nytimes.com/2009/04/05/automobiles/05DESIGN.html?nl=wheels&amp;emc=wheelsa2</bx:external-link>
<bx:adder>
<bx:fullname>Mary S. Butler</bx:fullname>
<bx:id>mbutler535</bx:id>
<bx:link href="http://bx.businessweek.com/profile/marys-butler/mbutler535/"/>
</bx:adder>
<bx:action>
<bx:total>122</bx:total>
<bx:view>122</bx:view>
<bx:save>0</bx:save>
<bx:reaction>0</bx:reaction>
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</entry>
</feed>